‘When was the last time you did something for the first time?’ John C. Maxwell
I’ve been thinking about this a lot lately. We spend so much of our lives repeating the same limited array of actions; the routine so ingrained we don’t even miss what we’re not doing. Oh, I know, we sometimes look up from the alarm clock, the grocery cart, the housework, the dog in need of a grooming, the editing, the writing, the rewriting, to say, ‘I should do that’. But don’t.
This past year, though, I’ve broken out of my personal routine. I’ve committed to doing something I’ve been just talking about for years. Yep. Going home. Back to the United Kingdom. Back to fish and chips, egg cups, dog-friendly pubs, good chocolate and exorbitantly high petrol prices. And the National Health Service and BBC license fees and Trooping of the Colour and stunning national parks and Brexit. Leaving behind endless snowy US winters, stunning national parks, two-year-long election campaigns (Do they ever really end in the US?), school shootings (Will these ever end? Seriously, America?), uber-convenience (think warm cookies delivered to your door, 24/7) and extra sugar in everything, including bread and possibly soap.
With this dramatic change on my horizon, there’ve been a lot of first and a lot of lasts lately.
Searched for a house to purchase on Exmoor. Signed contract on a house on Exmoor. Retracted said contract when things fell apart. Continued search for a house.
Researched shipping a dog from the US to the UK. It’s not cheap, is it? And it’s stressful, for all of us but Watson. He’s none the wiser at the moment but that will change when he sees the crate. Which, unfortunately, must be ordered in ‘Woolly Mammoth’ size due to Watson’s mixed heritage including a large dose of Great Pyrenees.
Got US citizenship. (I know, I know. Why, you ask if I’m going back to the UK? It’s the travel restrictions on green card holders. Have to be free, man.) Attended my own citizenship oath swearing ceremony and assisted at another for refugees.
Travelled on a US passport. The only thing I enjoyed about this was the photo on my new US passport is much nicer that on my old UK passport. Now it’s not such an ego-bruising occurrence as the immigration officer sniggers behind his screen.
Lost European Union citizenship. I think. Not sure of the exact date that happened/happens. Was it January 31st or is it the end of 2020? Who knows?
Published a second novel. That can never happen again. So is it a first or a last? Luckily, publishing a third can happen for the first and last time also. It can also happen wherever I am in the world.
Paid off our thirty-year mortgage. That felt good! Can now afford the Woolly Mammoth crate.
Witnessed my youngest graduate university.
The Lasts. (At least, I think they are…)
My youngest graduated university, which means no more payments, or summer jobs, or ‘Can I borrow the car?’, or ‘Send food parcels, please’, or sweating grades. It’s been a jolt to realise I no longer have a dependent child. Luckily, I still have a dependent hubby and dog. Or maybe I’m the dependent there. Depends on the day.
Celebrated last Christmas and New Year in the US.
Spent six hours in one day shovelling a massive amount of snow from my driveway. (Should this happen in my new English home, I’ll be upset. Seriously upset. But packing one snow shovel, just in case.)
Applied for citizenship in a foreign country. At least I hope that was the last time. The paperwork was mind-boggling! The emotional toll was also greater than I expected.
Filed taxes for last full year of earnings solely in the US. 2020 will see filings in both the US and the UK. Can’t wait.
Condensed photo collection from what seemed like a hundred boxes, envelopes, drawers and albums into five photo storage boxes. While I enjoyed the sentimental journey from my own childhood through my children’s childhoods (went digital in 2006 – thank goodness!) it was a massive task I hope never to repeat. I hear you saying, ‘If she’d been more organized through the years, it wouldn’t have come to this.’ I don’t need this from you, thanks very much. But come over and I’ll show you Every. Single. Photo. You’re welcome.
Weighed – literally – the value of items based on nostalgia. Does that child’s tent, book, box of baby clothes, wedding dress, favourite leather chair, china serving dish I’ve never used but was given to me by a favourite person, etc., warrant the expense of shipping?
Bought my last roundtrip ticket from the US to the UK and back. Next time I travel, it will be roundtrip from the UK to the US and back. This may not seem a big deal to you, unless you’ve spent thirty years away from the place you consider home. The roundtrip starting point becomes a huge deal. A Woolly Mammoth deal.
So much still to learn and organize before the move. So much still to experience here in the US before saying goodbye. So if you ask me, ‘When was the last time you did something for the first time?’, I can say, ‘Oh, about lunchtime.’
Wishing you every success with your own firsts and lasts.
The last decade ended with great excitement. I thought I’d purchased my first house in England, ready to move home after thirty years in the US. This new decade began with great disappointment. The purchase fell through. Hand wringing, lamenting, and yelling ‘A pox on all your houses!’ didn’t seem to accomplish much. A change in tactics now finds me waking at 4:30 a.m. to peruse real estate websites and badger all my Exmoor friends to be on the lookout for suitable properties. Many have stopped answering my calls and it’s only … still January. Anyone would think they feared my return. Fear not, brave allies! I shall return in all hast to force copious amounts of clotted cream on you. In the meantime, I remain in the wrong time zone.
As a distraction from lamenting and house-poxing, I turn to books. Not my own as I’m too distracted. Haven’t written or rewritten or edited a word in a couple of months. Luckily, other authors are filling the void and I’ve read some awesome works, many outside my comfort zone. Out of necessity, I spend a lot of time reading within my genre. I need comparative titles for agents, a current view of the publishing landscape, a familiarity with like authors, what’s working and what’s not. Reading is certainly pleasurable but it’s also work. I used to read everything and there’s no reason to stop just because I’m now a writer in a certain genre, right? In fact, every reason to broaden my horizons. So, 2019 was the year I stepped back outside my humorous fiction cave and blinked in the light of forgotten categories.
I found some of my 2019 reads through PBS’s Now Read This (https://www.pbs.org/newshour/features/now-read-this/), and still others at my new favourite hangout, the reviewer’s copy table at Barnes and Noble: new releases at discounted prices. Some of my reads are brand new releases, others are old classics. I’ve linked to reviews rather than sellers where possible as I know you have your own purchasing preferences. I hope the links work wherever you are. I’d love to hear your recommendations from your own reading adventures. Here goes:
Spy thrillers became a favourite genre after meeting Tom Clancy at a book signing, then marrying a US Naval Officer. But that was years ago and I’d let the spy work go. Daniel Silva’s The English Girl brough me back with a vengeance. (Though I could never write this. Here’s why.)
Everyone should top up their classics reading each year. (Tracey, that means you.) My choices were I know Why the Caged Bird Sings, Maya Angelou, American Gods, Neil Gaiman, and Rebecca (Daphne du Maurier). How could I never have read Rebecca before now! It’s awesome! But most of you knew that already, I suppose.
The flip side of the classics is to take a chance on a debut author. Beneath the Flames by Gregory Lee Renz is a great place to start. I met Greg at the UW-Madison Writers’ Institute and, boy, can this former firefighter tell a story.
War and violence are topics I steer clear of if I can. There’s just too much going on in the world for me to find the awful things we do to each other entertaining. But A Woman Among Warlords, Malalia Joya, and The Beekeeper of Aleppo, Christy Lefteri, are eye-openers. I’ve started 2020 with Olga Grjasnowa’s City Of Jasmine, about the refugee crisis brought about by the war in Syria. Foreign translations haven’t been on my radar for a while, yet City Of Jasmine, translated from German, reminds me to look outside my native language. It’s a fantastic book. Never will images of boats full of soaked people leave my consciousness. I volunteer with refugee populations, but I need these non-fiction and fictional accounts of prior lives and journeys to help fill my knowledge gaps.
I didn’t abandon the lighter-hearted, fun read. Far from it. I read many. A favourite was Rules For Visiting by Jessica Francis Kane. Maybe it was the timing of my own hopes to reconnect with old friends in England (those still taking my calls) that deepened the meaning of this tale. Or maybe it was the protagonist’s job, her world filled with plants and flowers. Either way, I enjoyed it.
I read my first Stephen King, Duma Key. The author has the potential to do quite well. You heard it here first.
Some 2019 reads I didn’t fully appreciate and one in particular was downright awful (mentioning no names), but each one sharpened my senses for what kind of writer I hope to be. Stephen King (an up-and-coming author I’ve mentioned before) says, ‘If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.’ I believe him. Here’s to taking my open genre mind into 2020 – and into my own writing.
One more thing: I’ve decided not to participate in the Goodreads 2020 Book Challenge, where readers are encouraged to set a goal for number of books they’ll read in a given year. I’m too numbers-oriented for this. I find myself focusing on book count, finishing books I’d rather put side, choosing a shorter book over longer just to chase an arbitrary target. Which I missed. Two years in a row. Dropping that stressor (I need to save all that dopamine and epinephrine for house-buying) means I’ll read exactly what I want, when I want.
I’ll still write reviews of everything I read, of course, as reviews are the lifeblood of any author. If you’ve enjoyed my novels, please consider leaving a review on Amazon, Goodreads, Smashwords, or Barnes and Noble. Then go and read something outside your comfort zone – and review it. Your new favourite authors will thank you. Hey, even Stephen King needs validation every now and then. Wonder if he’s tried to buy a house lately?
I admit it. I’m distracted. Which doesn’t bode well for a
writer. A recent trip to England, a house search while over there, a million
things to contemplate about relocation across the pond, and, well, it’s all
spinning in my head and any kind of writing gets side-tracked.
Today, I determined to plonk myself down in the chair and at least write my monthly blog. After all, so many of you wait with bated breath for my confused confessions of an author who feels she’s living in the wrong country. (Note to self: do something more interesting that requires confession. It may increase sales. But I digress …)
With my blogging brain in full rebellion, I vow to write about the first story I see on the internet this morning. With everything in the news right now, I admit it’s a risky strategy. I don’t know enough about Syria, Brexit, the 25th Amendment or the college admissions scandal to educate or entertain you with my analysis. But today I luck out. The first story I see is that Mike Posner has completed his coast-to-coast walk across America. The image is of him rejoicing as he reaches the Pacific Ocean.
For those of you who don’t know Mike Posner, he’s a singer-songwriter famous for his ‘Cooler Than Me’ and ‘I Took a Pill in Ibiza’ chart-topping hits. Oh, wait! I may have something to confess. I absolutely must dance to these songs. I defy anyone not to. They pound in your head and whoosh through your system, your shoulders, hips and feet soon in full party mode. I’m always close to getting a speeding ticket if they come on the car radio. I jack up the volume to an unseemly level for a woman of my … maturity. The arresting officer would say, ‘Aren’t you a bit old for this kind of music and do your children know you listen to songs with four-letter words in them?’ In my defence, the lyrics are rather poignant if you listen to the acoustic versions without the techno-pop-rock beat. And there’s only one swear word in ‘I Took a Pill in Ibiza’. That I bleep out when I sing along. (I’m playing ‘Cooler Than Me’ as I write this. Thank goodness for a standing desk as I rock my moves. No, there’s no video of me dancing. There will never be video of me dancing. You’re welcome.)
But how does Mr Posner’s six-month walk across America relate to me? Well, in all the coverage of his journey, he states he is not the same person as when he left the East Coast of the United States several months ago. A snake bite requiring hospitalization may have something to do with this. But I put to you that no one is the same after travel. Plane, train, automobile and sneaker travel changes you. The people you meet change you. The scenery, the food, the effort, the politics, and yes, even the music, changes you. On Posner’s website, he states one of his goals is ‘Enjoy where I am in the journey. Don’t waste time obsessing about getting to the end.’ His mantra throughout the journey was ‘Keep Going’. And that’s what struck me. Keep Going. As I gear up for the fights ahead with transatlantic property financing, shipping containers, what to leave/sell/donate/destroy, and how to say goodbye to America, I’ll keep Mr Posner’s words close: Keep Going. I’ll get to England eventually. I just needed this reminder to appreciate every step of the journey.
Soon enough, I’ll get back to writing and editing the two novels I’m working on, too. Wish me luck.
Next month, Pauline Wiles, author of the Saffron Sweeting anglophile novels, will be guest blogging about her own transatlantic journey from England to the sunshine of California. Join us!
I assisted at a US citizenship oath ceremony last week, held at the District Courthouse in Madison, Wisconsin. By ‘assist’ I mean I crinkle cut vast quantities of veggies and lugged a cooler through courthouse security. No mean feat, actually, as the handle of the cooler wouldn’t fit through the scanner. Therefore, umpteen gallon-size baggies full of carrots, celery, peppers, kale, cucumbers, tomatoes and cauliflower florets had to be hand-screened by three guards wearing earpieces. Can just imagine the conversation with the control room:
‘Sir, she says she cut all these herself using the neighbour’s
Pampered Chef crinkle cutter.’
‘No one’s crazy enough to cut that many vegetables by hand.’
‘She’s wearing a wrist brace.’
‘I see. Let her in but keep an eye on her.’
I, of course, had wanted to go all out roast beef, Yorkshire
pudding, gravy, trifle, treacle tart and custard. Greater minds prevailed and
it was suggested I just go for the veggie platter. Good job, too. Can you
imagine the trifle after the hand-screening?
Anyway, security cleared, I waited for the other volunteers
to arrive. Soon, stuffed grape leaves, hummus, cheese platters, sheet cake, and
baklava were trundling out the back of the security scanner on the conveyer belt.
This isn’t what typically comes through the court’s doors. But this ceremony was
unique. Open Doors For Refugees – the organization I volunteer with – arranged
a special ceremony to be held in Madison. Court officials had to travel from
Milwaukee to Madison. The least we could do was feed them.
To be honest, the food was mainly for the oath takers and their
families (though we fed everyone – including the security guards). Naturalized
citizens – like me – and immigrant organization leaders, including former
refugees, provided a welcome lunch for the new citizens once they were sworn in.
This is the third year Open Doors For Refugees has held this ceremony in
Madison. Apparently, the judges are fighting over who gets to administer the
oath. It’s a bright light in what can be a dark world in the district courts.
Every other case posted on the courtroom door sounded, let’s say, less upbeat.
Finding myself back in court only a few months after my own Milwaukee
induction into US citizenry, it seemed strange to watch it from the other side.
Oath takers arrived, nervous, dressed-up, clutching paperwork. Family members
followed, excited and proud. For so many it had been a long and arduous
journey. If you haven’t been through it, it’s a bit like being the bride: months
of prep, of stress, of dress fittings and venue food testing and sweating the
cocktail napkin colour choices. When the day arrives, you’re too tired to care
if the tiny ring-bearer hurled the cushion into the koi pond or the groom forgot
Only it’s more than that. It’s many more years of
preparation. It’s an even bigger – in many senses -commitment than marriage. It’s
loss, or at least change, of one’s long-held concept of home. One of the guest
speakers, herself a naturalized citizen, spoke of the changes in terms of grief
and the notion that things will never be the same. She spoke of the underlying battle
to process who you really are now and how others will view you. What to hang on
to and what to leave behind. I found it moving in a way I hadn’t expected. It
was my first time holding my hand over my heart and pledging allegiance to the US
flag. It centred attention on divided loyalty and homesickness and pride and yes,
grief; of being separated from one world while stepping through a door into
another. I did it by choice when I married an American and it was still difficult
for me. I can’t even imagine how it felt for those who had fled their beloved
homes and would choose to still be in those homes if not for war, violence,
fear, or persecution.
Some oath-takers brushed away tears through the whole ceremony. What did those tears represent? Regret, homesickness, gratitude, honour, a sense of loss, or a sense of gain? Another gentleman held his right hand so high while taking the oath, I worried he’d lose all feeling in his fingers. It’s a long oath. But his great pride was front and centre. Some spoke fluent English, some struggled to keep up as they read the oath. Some smiled at family, some appeared alone. Some waved American flags, some stared at their flags with looks of confusion. What does it mean to wave this flag now after a lifetime of waving other colours?
It’s a process, this citizenship thing. And I don’t mean
just a complex, confusing paperwork process. It’s a process of moving on, of
hoping to be accepted while questioning what you’re being accepted into as
immigrants at this particular time in American history.
The judge shook my hand and thanked me for all I do for our local immigrant populations. I do so little, wrist brace notwithstanding. I just tutor families in the English language and help with childcare while mothers take classes. Many do so much more. I was embarrassed by the judge’s kind words. But he reminds me these little things send ripples across oceans and influence generations.
It felt good. To belong. To welcome. To feel part of something
so much bigger than myself. As this country struggles to redefine itself as
part of a global community, I know, wherever I live, I’ll continue to reach out
to those from somewhere else.
Welcome, new citizens. Hope you enjoyed the veggies – and that you get the chance to welcome others yourselves soon. Thank you, Open Doors For Refugees, for this opportunity to serve.
This event was part of Welcoming Week 2019, one of 2,000 events held across the US designed to bring together immigrants, refugees and native-born residents in a welcome for all.
I’m gearing up to sell my house in the spring. If all goes according to plan, it will be my last house sale in the USA in preparation for my first house purchase in the UK. With me so far? Plan – move – UK? You have questions, you say? Oh. You mean why are my American husband and I relocating across the Pond when we have no clue how Brexit will impact the UK or how Trump will continue to influence the US? When all rational thought suggests we hunker down in a bunker stocked with tinned mandarin oranges. (Are there tariffs on those? Maybe the tins, you think, not the orange segments? No, I have no idea either. Hard to plan what to stockpile, isn’t it.) But I digress …
Obviously, you’re right to be confused as to my relocation timing. I agree to a little apprehension myself. Confusing times lead to confused decisions.
But enough of politics and world chaos. Here’s what really confuses me: All those things I said I’d do to this house when I moved in thirteen years ago and didn’t do. (Except paint the wall behind the toilet red. That I did.) Why have these irritating household fixes now popped from bottom to top of the URGENT to-do list? Why is the loose trim under the cabinet in the bathroom keeping me awake, even if you can’t see it unless you’re on your hands and knees with one ear on the floor? And the crayon marks on the woodwork from the previous owner’s kids? Still there. Only now those marks glow like an Elizabethan ‘The Armada’s coming!’ beacon on a hilltop, guiding the eye to the rainbow stains. And then there’s the red paint wall behind the toilet that seemed like a good idea thirteen years ago but never really worked and I’ve lived with it because, well, admitting your husband was right all along is never going to happen except the realtor agrees with him and now I’m stuck with a smirk on hubby’s face. (He needs to remember who’s sponsoring his relocation to the UK. One word from me at Heathrow immigration and he’s expat toast. Just saying.)
And there’s the retaining wall in one of the flower beds. It’s completely covered in mature shrubs. I planted them years ago to hide the one wobbly boulder. Which they do, by the way. Completely. But suddenly that unlevel boulder seems such an eyesore it’s visible from space and most certainly will be picked up by the realtor’s drone during the photo shoot.
See what I mean? I have bigger issues than retirement fund instability, my husband getting stuck in a camp set up in a field where the third Heathrow Airport runway is destined to be built, and the price of bread eclipsing the price of cars.
Is it possible I’m fixating on the red paint and the garden wall to take my mind off Brexit backstops and Trumpianism? Surely not. Well, maybe. Okay, it’s highly likely. Suppose I just need to hope the whole ‘Which is worse, Brexit or Trump?’ thing gets sorted out soon.
But, let’s face it, for me it’s never been about which country’s winning the bet on who’s confusing world order more. It’s always been about a strong sense of where home is and where it isn’t. At least there’s no confusion in my mind on that score.
Oh, the joys of parenthood, the wonder of bonding with a tiny soul, the bliss of cradling a new-born in your arms! As a mother of two, I wouldn’t have missed the experience for anything. I just thought two children were enough for me. I never dreamed I’d be doing it again at my age! After all, book birth hurts like the dickens.
Yes, I’m in the book delivery room, all bloated and cranky and just an all-around pain to be with. Because, just like with my firstborns, I’m nervous that I’ll fail. That my best won’t be good enough and somewhere along the line, someone will steal my baby and raise it better than I could. But why should I worry? I’ve paid my dues in blood, sweat and tears. I’ve survived the author gestation period – which is longer than an elephant’s, sometimes years, by the way. For those asking why I’m so irritable and how it can possibly take so long to birth a book, well, there’s more to it than you think.
As soon as the idea for your novel baby takes seed, you grab your copy of What to Insanely Expect When You Write A Book. You devour its pages and quickly conclude you don’t know enough yet. You sign up for writing and publishing Lamaze classes, held in a hotel ballroom at a writers’ conference. The instructors run you though your paces: Birth canal blocked? Do this. Labour too long? Try this. Word bloat mean your dressing gown’s the only thing that fits? Read this. Contractions – or hyphens or semi-colons – keeping you awake? Fix this. And listen up, writers! Never numb publication pain with a paid review-boutique publisher-no editor-no proofreader C-Section. That’ll cost you in the end. Breathe! I said, BREATHE!
Staggering under the weight of your over-flowing writer’s toolbox, you knuckle down to growing your book. Morning sickness, swollen ankles, indigestion, acne – it’s all there. Usually from a poor diet, too much sitting, and no direct sunlight, but it’s all there. The seasons change outside your window and still you grow and grow until the wordcount interferes with lung function and your hard drive crashes due to the 52-terabyte monster it’s trying to incubate.
You shed chapters and characters and secondary story threads – and adverbs – like clothing during hot flashes. Just when you think this 900th rewrite will never end, you reach a wordcount the right size for a 1.5-centimetre book spine rather than the width of one of Stonehenge’s supporting monoliths. Now it’s time to purchase the baby clothes.
So many designers to choose from! Their outfits are gorgeous, and you want them all for your book cover. You test a thousand colours, images, and taglines. You pick the perfect font, only to find it can’t be used without coughing up an extra hundred bucks for commercial use. You pick again and send final cover blurb to designer, only to find it’s not the final blurb because you can’t use the term GPS, according to the lawyers. You haven’t budgeted for a lawsuit. Change to ‘naBigational satellite system’. Correct spelling to ‘navigational’. Now the cover’s final. Or would be if you could decide whether to use the author photo taken during the heady days of virgin authorhood or the one taken today in the delivery room. Greasy hair, panicked expression, coke-bottle glasses, required after writing a novel on your phone hanging over the side of the bed to shield the light from hubby because the only good ideas come at 2 a.m. when your journal is down two flights of stairs on the washing machine in the basement. Decide on the first-choice photo. Now the cover’s final. Unfortunately, the cover designer isn’t speaking to you anymore.
You look around your office, now free of the million scrapes of paper on which you’d written disjointed ideas. You’re almost there. The first inklings of satisfaction twinkle in your reddened eyes – just into time for the steamroller that is procrastination to squirt any joy out of your ears onto the “Upload your manuscript” publishing website. You vaguely remember you told everyone your publication date was in three months, but now it’s … NOT IN THREE MONTHS! Can you change your mind – walk away to find a less stressful way to procreate? Perhaps hand-feeding pregnant crocodiles?
It’s too late! Labour’s started – meaning your mum called to say the neighbours want to know why they can’t find your book online yet and does this mean your mum was making up the whole story about you being an author? Mum’s not happy. The pain! Oh, the pain! Waves of doubt, regret, foul language directed at your editor, publisher, beta readers, anyone within earshot of your desk. You can’t take it any longer. You beg for the anaesthesiologist. Epidural! Stat!! Doc arrives with chocolate and vodka. You swig straight from the bottle you cleverly disguised by wrapping it in last week’s ‘Publishers Weekly’. Somehow the meds get your through the uploads. Just when you think you’re about to meet your new baby, the website rejects your book cover because you uploaded the wrong format and the margins are all messed up and the retail price you entered doesn’t match the price you need to cover costs by, oh, about … Well, best not think about it. Regardless, the paperback proof copy is on its way. No stopping this train now.
Finally, finally, you lift from the cardboard box delivery crib this creation, this marvel of courage over doubt. Weighing in at 1.2 lbs, 9 inches long, cream interior, full bleed cover, parentage stamped in MV Boli font on the front cover, it’s everything you hoped it would be. If you squint, you can even recognise a semblance of yourself in its reflection. You gaze, count the wiggling interior pages, brush fingertips across the baby bottom-soft cover, whisper its name, More Or Less Annie, over and over in baptismal welcome.
‘A solid two stars!’ yells your book baby’s Grandma, who so hoped to be delivered herself of a Charlotte Bronte decades ago. She smiles bravely at the Tracey she was handed by a white-coated publisher. The publisher who then took a pass on buying Grandma’s Super 8 home movie rights.
Even after all this, deep down you know you did something amazing. Something organic, a part of you delivered to the world, slapped on the spine and swaddled in words that fought to survive through hesitation and jealousy and regret and epiphanies. Through ‘What do you do – I mean for a living?’ and ‘Yes, but what’s your book about?’ and … all that crap. Your book lives. You wave it off into its life outside you, realising it breathes life into you as much as you breathe life into it. Forever inseparable. So proud. So fearful.
You outstay your welcome at book clubs and writers groups and grocery store checkout lines showing anyone with a pulse photos of your baby’s sales rankings. You think you’re done with the delivery room. But what’s this? Stirrings, rumblings, clocks ticking? Another? You want another?! Within a week of release, you start all over again. Chapter One …
I dedicate this blog, with gratitude and incredulous admiration, to all book parents. We did it! May those who survived multiple births over long careers to remain in the readers’ hearts forever – I’m looking at you Anita Shreve, Nora Ephron, Tom Clancy – smile down on us and the new-borns nestled in our loving arms.
More Or Less Annie born May 18th, 2019. Baby’s fine. Mother’s a mess.
There are two schools of thought in writing: write what you know or write what you can imagine. Doesn’t leave much off the table, does it? I, however, know my limitations. Writing a spy thriller is out of the question. I just couldn’t compensate on the written page for my natural deficiencies. I recently read Daniel Silva’s The English Girl. Boy! I thought my characters traveled a lot, but this international spy thriller left my head spinning. All that global rushing about, all that memorization of files and faces and contact info, all that being hunted down with no nice embassy official coming to help if things got messy. Seriously? Does anyone have this kind of energy? This kind of memory? This strong a nerve? As Olivia Colman would say, it’s all quite stressful. I began thinking about all the ways I’d let Daniel Silva down if I were one of his characters. The list is long and ugly.
To start with, I can’t remember a single name of anyone I’ve ever met. This is not a new thing. And facial recognition could be an issue. I once asked my own son, “Can I help you, Sir?” He’d arrived home with a beard after a semester abroad.
The ability to manage multiple passports, visas and identities is far beyond my skill set. I never have the right paperwork ready at the airport. Is it just the passport they want? The passport and green card? The passport and boarding pass? The form I filled in on the plane? Seriously, what the hell do they want now?
Nerves of steel under interrogation? Nuh-uh. Arriving at any international airport, I panic when asked my name. My only name. My real name. The name that’s never been in trouble anywhere in the world. My profession? What? Reason for visit? Er? You’d think, as I sweat through the 30-second encounter with an immigration officer, I had a kidnapped member of the royal family in my luggage. I would fail a polygraph test if they asked whether I wanted a glass of water.
My navigational “difficulties” have led to more marital discord than anything else. I’ve never known north from south, east from west. I barely know right from left under pressure, as hubby will tell you after many an almost collision. If you’re giving me directions using complex terminology like “Head south-east on Rue de l’Espionage then turn west on Avenue Ouest,” well, let me tell you, me being there before you kill the hostage? Just. Not. Happening.
That whole chasing the bad guys across time zones thing? I have an unnatural need for ten hours of sleep a night – which I never get, by the way. Most of the time I’m not functioning well enough to let the dog out. But mess with my circadian rhythms and all hell breaks loose. If you need me in Istanbul on Wednesday, you’d better mean the second Wednesday of next month. I’ll need at least a week to get over the jet lag before I’m good for anything.
Finally, there’s the whole creature comfort thing. Crouched in a ditch in the cold for two days, drinking water out of my socks, wearing leafy camouflage (which would itch, by the way) waiting for a target to come outside so I can hit him between the eyes at 1000 yards? I’d have set solid, my back out and my feet asleep since … a day and a half ago. The hunger growls would be so loud those listening in via satellite would have to turn the volume down.
I met Tom Clancy once, the ultimate spy thriller novelist, at a book signing. He made small talk with me about beer. I don’t drink beer. But should I reveal that? Was this a test? Should I lie or remain stony-faced silent until he broke eye contact, looking elsewhere for a softer target? I felt quite uneasy about it all. What a relief when he finished signing my book and I could leave via the back door. (A real spy wouldn’t have screamed when the alarm sounded.) Mr Clancy probably knew about my beer aversion anyway. From my file at Langley.
I shouldn’t have read that spy thriller. Shouldn’t ever write one, either. My nerves are all ajangle, just in time for my US citizenship interview tomorrow. I fear it’s not going to end well. It’s been nice knowing you
To know me is to know I’m somewhat of a cream tea aficionado ‒ and I don’t mean just the ‘life-as-an-expat-makes-me-crave-all-things-English’ kind. No, I’ve loved scones and jam and clotted cream since I was old enough to lick the inside of a jam pot. (Which, incidentally, is frowned upon now I’m older.) Anyway, in anticipation of my move back to England, I contacted one of the most iconic tea rooms in the United Kingdom to see a) if they’d let me in, given my penchant for licking the inside of jam pots, and b) if they’d show me the inner workings of my idea of Nirvana: a tea room. Surprisingly, they said yes. Enter Paul Gibbs and David Pollard.
A chilly autumn mist
lingers over much of Porlock Vale as I negotiate the winding lane to Selworthy.
I feel I’m driving through a portal, framed by arcing gold, russet and amber
boughs. This much beauty is distracting, and I haven’t even reached the iconic
Selworthy Green yet. Changing gear is trickier than I remember and I almost
stall going around the 90-degree bend by the 15th century whitewashed
church. Thirty years in America leave my left hand unused to such driving tasks.
I pull into the car park and grab my journal, leaving my laptop under the front
seat. I’d initially thought I’d carry it in for my interview with Paul and
David, the dynamic duo behind Periwinkle Tea Rooms and Clematis Cottage Gift
Shop and Gallery. But as I stand gazing across thatched rooves, the silent
cemetery and striking views of the moors, high tech seems somewhat out of
place. Maybe I should have brought a quill and parchment paper. And worn a
bonnet. Too late now. Where does one buy a bonnet these days, anyway?
I open the gate
to Selworthy Green and cross the threshold into a different world: birdsong,
the brittle crackle of leaves chattering back to the wind, a stream gurgling
towards the sea after a stint on the moors high above the village. A step back
in time. Many a dream of moving to Exmoor begins at this gate.
Clematis Cottage greets
me on the right. A lichen-covered bench sits in welcome under the diamond-paned
cottage window. A riot of pink resurrection lilies keeps the bench company. Pyracantha
and ivy cascade over the stone walls and steps. An ilex tree of some variety
draws the eye through the bountiful berries to the fields and moors beyond. I
feel no need to take another step. Surely this bench is as good a place to
spend eternity as anywhere? But I take one more step because my nagging subconscious
reminds me I have an appointment.
I pause again on Selworthy Green. I have no choice, appointment or not. Surrounded by burnt-amber cottages topped with mossy thatched hats, its grassy welcome is set in a frame of confectionary-coloured flowers, even in November. Picture postcard perfection. I inhale the welcoming scent of a wood fire, tendrils of smoke curling from a chimney into the air. A door opens. A cheery hello, followed by ‘Want a cup of tea?’ Why, yes. Yes, I do.
Paul Gibbs waves me into Periwinkle Tea Rooms. Paul and David are entering their second year as National Trust tenant operators here, though there’s been a tea room in this location for decades. Ducking under the thatched porch, I’m reminded of a hundred other entries into this hallowed place. As a teenager, sullen (until the cakes arrive), as a newly-wed, proudly presenting Exmoor to my American husband, as a mother introducing my US-born children to an important part of their cultural heritage – clotted cream, flapjacks and ploughman’s lunches. And now, as a homesick expat and empty nester, looking for all the comforts of home I just can’t replicate in America. The tea room had been closed for several years. Seeing it open again elicits more complicated emotions than I’d imagined. I thought I’d lost this part of my history.
With a grateful sigh, I take in another of my favourite Exmoor views: A sideboard groaning with cakes, a glowing fireplace, tea pots lined up like soldiers ready for the lunch fray. Wonky beams and low ceilings; all of it familiar. Yet, there’s something new here, an energy that belies the quintessential ticking-clock-sleepy-cat-on-windowsill expectations of an English tea room. This is no museum to the lace table cloth, encased in magnolia white walls, the hush broken only by the faint clatter of a stainless-steel teapot lid.
There’s new colour
here. Plenty of it. In the seafoam walls, in the local artwork, in the cushions
scattered around the bench seating. In the light reflecting from glistening ceramic
tea pots and the quirky snail-shaped menu holders.
There’s music too,
coming from sophisticated elec-trickery
(remember the Cat Weasel TV programme?)
flashing under the cakes. It’s my first clue this is a thoroughly modern
operation wrapped in quaint trimmings. As Paul directs my tour – I’ve never
been upstairs before ‒ I realise this is not your grandparents’ tea room. There’s
a computer screen above the impressive commercial ovens in the bakery. Paul shows
me detailed statistical analysis: every scone sold in 2018 (13,628), every
cream clotted (33 kilos) every carrot grated (26 kilos), walnut halved (20 kilos),
egg cracked (3,727), Victoria sponged ‒ sorry, your majesty, but that’s 7,453 total
slices of all cake varieties for a total of 828 cakes. And finally, every dollop
of jam (410 kilos). That’s a lot of jars to lick!
Where am I? This is not what I expected. I’m somewhere between below stairs at Downton Abbey and the bridge of the USS Enterprise. (Darn it. Should have brought my old laptop in with me, just to compete.) Pulling up more screens, Paul shows me social media has replaced the lunch gong here. The business twitter account has a staggering reach of up to a million a week. There’s Instagram, Facebook, a polished website and a blog, all responsible for an impressive increase in guests taking detours to visit. The only nod to custom in the kitchen is a binder full of recipes, including all the traditional favourite cakes, biscuits and scones, along with new inspirations, like smoked salmon, leak and potato soup. Paul tells me the recipes are followed precisely, every time. Nothing is left to memory or chance. A guest can return time after time for that favourite coffee cake and never leave saying it was better last time. This is all part, Paul says, of knowing your business, knowing your market, and never compromising on standards. This may explain why they won ‘Tourism Business of The Year 2018’ at the Best New Business Awards.
It all seems so … not thatched. I’m sensing SEO manipulation and business projections Amazon would be proud to call its own. Turns out, I shouldn’t be surprised. Paul and David also run Mill Close Solutions, a management consulting business specialising in leisure, tourism and hospitality start-ups. With their Selworthy businesses open seven days a week, eleven months of the year, when do they have the time, you may ask? I almost feel guilty interrupting their day for a cup of tea. Almost.
I’m honoured to
be offered a seat in Writers Corner, designated for local writers who meet to share
all things ‘Author’. (Authors eat cake too, I’ve heard.) I start by testing the
tea. Periwinkle Tea Rooms uses Miles tea, a local supplier who blends tea and
coffee specifically to compliment the peaty Exmoor water. I don’t know what
that involves, but it tastes sublime. Of course, that could be as much a part
of context as flavour. Hard to imagine not enjoying anything in this glorious setting.
Taking a break from his duties at Clematis Cottage ‒ the gallery side of the business featuring Exmoor artists ‒ David joins us for a chat about finding home. His journey to Selworthy started on a fruit farm in Kent before spending eighteen years on Sark, in the Channel Islands. He says he doesn’t miss Sark, mainly because it could take weeks to get off the island in bad weather. Paul, born in Devon and raised in Dorset, has a strong family tie to Selworthy. His great-great-grandparents worked on the Holnicote Estate, one as a woodsman, the other as domestic help. They even lived in one of the Selworthy ‘grace and favour’ cottages. They rest here still, with their youngest daughter, in the churchyard a few yards from where we sit. Paul recalls conversations with his great-grandmother about life in the village. Treasured memories.
ancestry full circle to now live himself in Selworthy is profoundly meaningful
for Paul. ‘Selworthy is such a special place for so many people,’ he says. But
for him it’s more than that. It’s the beating heart of his family history. I
wonder out loud if someone had to compromise to live here, the historical
connection deeper for one half of the partnership than the other. After all, I
have the same concerns about asking my husband to move to Exmoor just because
it’s home for me. But neither Paul nor David struggle with the decision. They both
cherish the opportunity to make Periwinkle Tea Rooms and Clematis Cottage ‘must
see’ destinations. They’ve succeeded already. Trust me on that.
Their love and
excitement at being here has led to phenomenal success, outperforming all
expectations in their first years. They’re certainly willing to go out on a
limb for their guests, even throwing an impromptu wedding reception for a bride
whose ancestors lived in Periwinkle Cottage. They organized a meet and greet
for me with other local authors too ‒ well above and beyond the call of scone
I wonder what Paul’s great-great-grandparents would think of a world-renowned, technologically-advanced enterprise in Selworthy. It was, after all, just low income housing in an isolated village ‘back in the day’. Who knows? But certainly, this is not your grandparents’ tea shop ‒ unless you had state-of-the-art grandparents. That said, Periwinkle Tea Rooms still uses your grandparents’ recipes. Those delights, combined with time-honoured tradition, stunning scenery, the welcoming warmth of a fire cracking in the grate, and good old-fashioned hospitality will bring me back to Selworthy over and over again. No matter how long I’ve been away, this place is part of my family tradition. It will continue to be so thanks to Paul and David.
‘I’m off to find
England. MY England’, I announce to my American husband. ‘Great,’ he says.
‘Bring back some Club biscuits.’ Tut. Eyeroll. Like Club biscuits epitomise my national
identity. (They’ll be in my luggage anyway.) But if not Club biscuits, what exactly
is ‘My England’? I’ve met many Brits abroad who crave the comfort of all we
left behind, without being able to pinpoint what that is. Hiraeth (or hireth,
Cornish spelling) ‒ a deep yearning for home with a sense of loss ‒ has taught
me to beware the rose-tinted dangers inherent in returning to the land of my
birth. After all, what exactly do I think I’m returning to?
Sounds like a fieldtrip’s
in order. I head across the Pond to search for …well, England. A white
handkerchief flashes in my peripheral vision. Enter the West Somerset Morris.
Morris dancing, that most quintessential of ancient English folk dances, prances proudly through my youth. May Day festivities, royal jubilees, Christmas pub crawls, the Morris dancers were always there in sashes, tabards and tatter jackets. The sounds of the concertinas and fiddles blending with the bells attached to the dancers’ shins. To the rest of the world, the scene may be evocative of cosy murder mysteries; Morris dancers used as a cinematic cue we’re in jolly, quaint, quirky, hankie-flapping England. It’s bound to be one of the dancers who trips over the dead body.
But I digress.
I’m here to discover my connection to this English tradition. The West Somerset
Morris is brave enough to let me visit a practice session.
I drive to
Sampford Brett, a village just outside Exmoor National Park. As I check
directions to the village hall, a peal of bells makes me smile. I roll down my rental
car window. The joyful tones cascade from the church belfry and wash over me;
memories of childhood Sunday evenings. Nowhere else in the world do bells sound
like this. But I mustn’t tarry. The Morris waits for no one. Gathering up my
pen and camera, I pull open the door to the village hall, and step inside the
beating heart of English tradition.
greets me ‒ Bagman an infinitely more interesting title than secretary. Ray is
also the Foreman of this Morris, aka the dance teacher. Next, I meet Squire Joe
(the leader). Other dancers arrive. In a corner, the musicians set up: fiddle,
concertina and flute.
I’m placed in a
safe position at the side of the hall – there are spinning bodies to avoid
after all. Members line up and the music starts. Foreman Ray names the dances
for me: Maid of Mill, Banbury Bill, Nuts in May (this one involves chunky sticks.
I’m here to tell you, they don’t hold back in taking swings at each other),
Border Dance, Skirmish, Jenny Lind, to name but a few. It’s a chilly night but
there’s soon a sweat on brows. This is a workout and then some.
carefully round the perimeter to take photos as Foreman Ray calls out dance
steps. Squire Joe wants more energy from the dancers. The dancers want Squire
to take smaller lateral steps so the lines remain true. This is an art steeped
in tradition, and members are sticklers for maintaining form. I try a discreet little
hop step myself. It’s harder than it looks.
During the tea
break, I ask the group about their own roots and ties, both to this dance and
this part of the country. Members recount stories of global travel,
coincidences and genealogical flukes. These stories follow tomorrow in Part II.
their tea. The fiddle, flute and concertina fire up, and they’re off again ‒
sticks clanking and whoops whooping. The steps have exotic names like
Whole-Hey, Half-Gyp, Caper, Hockle Back and Cross-Hop. Handkerchiefs must be
flicked outwards from chest level, no lower. Ray explains these little details
distinguish one Morris from another and one area of the country from another.
It’s fascinating. I’m so joining the Morris when I move back here!
Or so I think until Bagman hands me a pair of handkerchiefs and invites me onto the floor for the final dance. Let’s just say, it’s a good job I wasn’t trusted with the sticks. As I cavort gamely, trying not to trip anyone while flicking my handkerchiefs with abandon, I’m reminded of the description of Morris dancing in Cecil J. Sharp’s book, The Morris, written in 1907: ‘…the Morris dance is a bodily manifestation of vigour and rude health, and not at all of sinuous grace or dreaminess.’ I may have the rude bit down as I crash around. No one declares I dance with ‘sinuous grace’. Maybe I’m a natural after all.
All too soon, it’s 10pm and practice is over. Ray tells me I’ve only been privy to half the experience so far. It’s on to the pub for a pint, as much a part of Morris as anything, with its history steeped in ale since mediaeval times. Unfortunately, I have an early assignment tomorrow, so have to pass on the offer. Good excuse to come back for the rest of my education though.
I wind along the inky-black
lanes towards Porlock, wrapped in a sense of history, of belonging, of roots. Was
it the dance? The tea? The tradition? The comradery? Yes. Yes, it was.
I’ll never take
for granted the work and dedication of individuals preserving traditions. They
mean so much to the expatriate ‒ this one, anyway. Can I fully explain my
connection to home? Not really. It just is. But I reconnected with part of my
England in a tiny hall in a tiny village, dancing with people I’d never met. I
found kindred spirits in the jingling heart of my home, complete with church bells
and Morris bells. I can’t thank the West Somerset Morris enough for pulling me back
into the dances of England.
I’ve just returned to the United States from a promotional book tour in England for Dunster’s Calling. Let me repeat that. I’ve just returned from a promotional book tour in England. I know, I know. You heard me the first time. But I needed to hear it again myself. You see, I can’t quite believe it happened. I’m not very good at self-promotion. I’m better at sitting alone and writing. I knew I had to ‘do’ social media to build my brand, but I questioned its efficacy. In all that noise, no one hears you, right?
It’s still hard to believe that a Facebook post led to a live presentation. Oh, and did I mention the BBC called? (I’d repeat that but I’m afraid I’d lose you, so I won’t repeat that the BBC called.) I write fiction so you’re right to check my credibility and/or mental state. That’s why I took photos to verify the account that follows …
After writing my debut novel, Dunster’s Calling, I thought the hard part of being an author was over. Ha! Marketing a novel, as it turns out, is much harder than writing it. But I got stuck in on Instagram, Twitter, Facebook, and LinkedIn. My social media strategy was 1) to establish why I was the person to write this story of an expat’s search for home, while exuding humour (well, my mum thinks I’m funny), and 2) to connect potential readers with the setting for my novel: Exmoor, a National Park in England’s southwestern peninsular. I felt as soon as potential readers saw Exmoor’s beauty, they’d want to read a book in which that glorious setting becomes a central character. My job would be done and sales would roll in. So I posted photos of thatched cottages and moorland views over the Bristol Channel. Based on follower reactions to the photos, the beauty of Exmoor struck a chord. However, the translation into book sales was less … struck chord-y.
As time passed, I grew weary of battling to promote through social media, of limited traction, of endlessly attempting to drown out the ‘you-just-can’t-do-marketing’ voices. I almost gave up, deciding social media was a time suck and no one was listening anyway.
But someone was listening. Someone I’d never met. Someone who saw my photos while setting up her new store that sells all things Exmoor. Enter Elke.
Elke is also an expat, moving from Germany to England nearly twenty years ago. Maybe my tale of life in a foreign country, of homesickness and of the pull of Exmoor spoke to her. Anyway, she asked me to write a guest blog for her website and to provide some signed copies of my book for her store in Minehead, Somerset. I did so, gratefully. I figured that was the job finished ‒ until Elke asked if I’d be interested in giving a talk at the store.
Why, yes. Yes, I am interested.
I book my flight.
I arrive in England to discover Elke has sent press releases far and wide. There’s a writeup in the paper and an invite to record an interview for West Somerset Radio, to be played on air the next day. Before I know it, I’m sitting in a sound studio, headphones on, mic check done, Bryan Leaker counting me in: three, two, one … ‘Tell us about Dunster’s Calling’. Bryan makes me laugh, despite my nerves, and offers to give away a copy of the book in a competition on the show. I sign a copy like it’s no big deal.
It’s a very big deal, to me.
I leave the studio after my first radio interview. It’s more than I ever dreamed possible and I return to the place I’m staying for celebratory tea and biscuits. The interview plays the next morning and I listen in, disbelieving it’s my own voice on the radio. There’s more disbelief to come.
The phone rings. It’s Broadcast Assistant Luke, for the Simon Parkin Breakfast Show on BBC Somerset. They’d like me to come into the studio for a live radio segment early Saturday morning. I believe Luke said he was pitching me the idea of possibly appearing on the show. I believe I said he didn’t need to pitch very hard. We record some promotional soundbites while talking. Long after Luke hangs up, I’m still staring at the phone in my hand.
It’s an early start Saturday morning to drive to Taunton in heavy rain. I’m not exactly displaying nerves of steel. More like nerves of wet noodles. Impostor syndrome goads from the passenger seat. But I needn’t have worried. I’m greeted with a cup of tea, a welcome tour of the impressive new BBC studios, and a friendly chat with another guest waiting to go on air; a veteran commemorating one hundred years since the end of WWI. Simon Parkin comes out of his studio to introduce himself before showing me to my seat.
No headphones this time, a glowing red light says we’re on air and Simon leads me expertly and kindly through my first live interview. At the end, he asks me to come back soon. Maybe he says that to everyone, being such a gracious host, but at this point I don’t care. I’ll come back soon.
Floating on air, I return to Minehead to prepare for an afternoon author event in the gallery section of The Exmoor Store. Elke has filled the space with homey furnishings and artwork, all produced locally. The kettle’s on. Guests arrive, and I’m engaged in a wonderful hour of sharing stories of travel and the meaning of home with delightful people. It’s all surreal. Because I’m enjoying it! Me! Enjoying promoting! Words I never thought you’d hear coming from my lips.
There’s security for introverts (as most writers tend to be) in posting to an audience you can’t see. Hiding behind your keyboard, it’s easy to get comfortable there, to not push yourself out into the world, to blame all the other voices for drowning you out. Connection to readers and listeners can feel tenuous in our lonely writing spaces. The last few days have reminded me being a writer is only half the equation; readers/listeners/followers complete the whole. They aren’t as scary as you may think when you first begin the process of building your brand.
I’ve asked myself many times if social media is a productive use of my time as an author. I now have the answer. Yes. It. Is.
I have more stories to share from my recent trip and will be blogging about them in the weeks ahead. Until then, I can only say how grateful I am to all out there in Social Media World and to offer this advice: If you’re an author struggling to be heard, don’t give up. You never know who’s listening. Sometimes it’s no one. And sometimes it’s just the person you need. Thanks, Elke.
Here’s the link to the BBC Somerset interview. (If link won’t play in your location, try logging into BBC Sounds and searching Simon Parkin 11/10/18.) My segment begins at about 1:53.00: https://www.bbc.co.uk/sounds/play/p06pswh8