It’s been one month since I arrived back in England after a thirty-year visit to America. If you’d asked me a year ago what vocabulary I’d be using to describe my feelings at my return home, I’d have said relief, comfort, joy. And those feelings apply. But they’re mixed with other feelings, like weird and anxious. So much about my transatlantic relocation during a pandemic has proved incredibly stressful. The empty airport terminals, the empty plane, the masked flight attendants, my homemade peanut butter sandwiches in place of the cancelled inflight dining service, along with the deserted arrivals area at Heathrow were powerful reminders I’m doing all this during a historic, and unsettling, time. So much about this last month could never have been predicted. The fact my husband is stuck in the USA waiting for the visa offices to open again, with the daunting possibility of travellers from the US not being allowed to travel to Europe at all, keeps us both awake at night. But global issues aside, the little things are proving more challenging than I’d anticipated.
I dropped my laptop for the first time ever, smashing the screen and bending the keyboard. I had no idea where to go to get it fixed. There were no laptops in my life when I left Exmoor all those years ago. My watch stopped. I broke my prescription sunglasses (another first). It’s weird, completing the mundane tasks of fixing things and finding watch batteries and researching how to pay council taxes. It’s weird learning a new grocery store layout (even without the one-way system in place in my local Tescos) and trying to remember what demerara sugar is. I used to translate UK to US: caster sugar is baking sugar, minced beef is ground beef. Now, I’m reverse-translating, US to UK: confectioners sugar is icing sugar, eggplant is aubergine. Goodness knows what a kilogram is in pounds and will I ever get the hang of Celsius versus Fahrenheit? As a visitor, I didn’t have to complete these kinds of tasks. Now I need to relearn my native language and find the places that cater to my mundane needs rather than my holiday needs. It’s strange to feel strange in one’s homeland. It’s weird to go through the motions of normality in a not normal world. It’s impossible to tell how much weirdness can be blamed on COVID 19 and how much on my extended absence. Maybe it doesn’t matter. My return would feel weird not matter the difficulties of trying to set up a new life when everything is shut down. Do I need to delineate between what’s normal relocation crazy and what’s pandemic crazy?
Luckily, there are plenty of joys to counterbalance the mental taxations of translations and conversions and all-around weirdness. My fourteen-day quarantine flew by in my rental property with gorgeous views of Porlock Bay and Bossington Hill, even though I had little furniture and couldn’t give anyone a hug. I no longer need to calculate time zones when calling family. I got to celebrate my sister’s birthday in person – in her garden as social distancing was still in effect – for the first time in decades. (That was counterbalanced by the guilt of having to celebrate my husband’s birthday with him via WhatsApp.) My son and daughter-in-law have joined me for an extended stay while they’re furloughed from their jobs in London. I’m delighted to share the joys of my new home with them. I get to wander the Exmoor countryside without counting down the days to leaving again. I look over the gates at the closed cream tea shops, knowing they will reopen someday, and I’ll be back to planning my hikes around their welcome cups of tea and slabs of cake. Even the rain feels cosy after years of brutal storms that threaten life and limb in the snowbelt of the USA. This gentle drizzle cossets rather than scares; though ask me again in a few years how I feel about English rain and I’m sure I’ll have a different outlook. Or will I? Will the novelty of walking outside in January and February ever wear off? In Wisconsin that’s indoor season due to bitter cold and feet of snow. Surely it will be awhile before I complain about British weather. We’ll see. We’ll also see if hiraeth is really a thing. Can you go home again? Does the home in my memory still exist? Were the broken sunglasses a prelude to broken rose-tinted glasses? Watch this space …
I survived the first month, thanks to the kindness of old friends and new neighbours. Without them I really would have been lost. My furniture just arrived so I have no excuse not to get back to writing now. Except for needing a new laptop, that is. Wish me luck.
This is it. My last blog from the United States of America on my last day as a resident. I envisioned a graceful exit after thirty years. A swan-like glide out of the USA and a pirouette into the glorious English countryside. I’d swish my Austen-esque skirts through the spring dew of a cottage garden as the frantic pace of the US faded to black. I’d sip tea from cup and saucer rather than a mug, nibble on scones and high tea petit fours from a tiered cake stand. Partake of a country pub sherry in the evenings. All surrounded by family and friends. The church bells would ring and the English sparrows chirp …
This is where I insert the sound of a car crash. (Not being tech-oriented, you’ll have to add that yourselves.) Suffice it to say, my transatlantic relocation has turned into anything but a swan-like glide; more a belly flop from the highest diving board onto a frozen puddle. The scones turned to stale hotel vending machine crackers, the sherry replaced by Pepto-Bismol. A global pandemic means the only fabric-swishing going on comes from the homemade masks my US friends hand me at our goodbye get-togethers – which dissolve from fun, though teary, events to waves from a distance across parking lots and driveways. Friends shuffle forward, place bags or cards on the floor. They move back. I shuffle forward to collect. Then move back. More like a hostage transfer between alien planets on an episode of Star Trek than a goodbye between friends I’ve shared graduations and weddings and baby births with. We air-hug, blow kisses, and that’s that. Never how I saw this going down.
I’m in a hotel today, this last day, having sold our house at the first inklings of social distancing and lockdowns. The closing date came before transatlantic flights were more consistently available for bookings. Before a small window of opportunity opened at the end of May to fly out of Chicago. An inflatable mattress, a pillow, a blanket and a shower mat wrap around two knives, forks, spoons and a tin opener in my suitcase. Oatmeal, teabags and granola bars make up the rest of my baggage allowance, in case of emergency delays or rerouting or cancellation of flights. I pack multiple masks in my carry-on. It’s been the most surreal packing experience of my long and varied travel history.
I check the websites every few minutes to make sure flights are leaving. Best not to breathe until the flight takes off as so many are cancelled last minute. There’s only one day to go. Surely nothing else can happen that would prevent me traveling?
There’ll be no one at Heathrow to meet me. I’ll drive alone from London to an empty rental house rather than a purchased home, due to restrictions on viewings. I’ll draw the curtains and hide myself from the inhabitants of Exmoor. I won’t risk the trust of new neighbours before I’ve even said hello. Isolate here I come, no matter what government regulations say at the time of my arrival.
My furniture has shipped across the pond, but it can’t leave Southampton Docks until moving companies are allowed to deliver it. No idea when that will be. I’ll be camping in the house; a couple of chairs and a table, some china and a microwave rustled up from kind friends. These items await my arrival, already in place so the friends limit contact with me. Luckily, a small village has its advantages. Porlock knows I’m coming home. The local shops have arranged deliveries of basic household items and food. I thank them all.
I remain hopeful I’ll depart this land of the not-so-free on May 29th. I remain hopeful the visa offices will open soon so my US citizen husband can join me. With as cheerful a smile as I can manage, unseen behind my new collection of masks, I’ll clutch my first one-way ticket in thirty years, destination London, and board that flight. I’ll appreciate being allowed to carry a whole 12 oz bottle of hand sanitiser into the aircraft cabin, along with several sandwiches in case all airport restaurants are closed. I’ll wave a grateful thanks to the America I knew until it became unrecognizable to me over the past few years. I hope it finds its way back. Just as I have. Hiraeth and all.
I’ll get through this, and I know it will all be worthwhile.
I thought March 2020 would go down in history as the most bizarre month of my life. Running through airports in Buenos Aires to beat border shutdowns, selling my house in the US only to find I couldn’t get to England to buy another, tying a bandana around my face using elastic bands that threaten my eyesight every time they snap. It’s all too surreal to be true. Surely next month will find me laughing at the craziness of it all as I sip coffee in public places with friends? But then comes April…
It begins with the Wisconsin State primary election. All other States postpone their elections to keep citizens safe from the pandemic, Wisconsinites are forced to the polls. I fire off an angry tweet at those responsible for this reprehensible disregard for human safety. I never expect anything to happen. The tweet goes viral, viewed over 1.1 million times, tens of thousands of likes, retweets and comments. It’s included in a podcast featuring the Arizona Secretary of State, and on lists of tweets that sum up the electoral mess. It reminds me one voice matters, and how we frame our thoughts matters. A stranger comments that my short tweet demonstrated I was obviously a writer – a highlight of my lockdown experience so far. Well, along with the neighbour leaving cookies on my doorstep the other day. But I digress …
April continues, everyday a fight to carve a simple transatlantic relocation out of a pandemic cliff face. I try selling furniture from my garage, but there are few takers. I can’t even donate it as all donation centres are closed. I explain to the new owners some larger pieces, like the pool table, will still be here when they move in next month. They understand, luckily.
I battle to arrange shipping to the UK for my dog. It’s moving forward until all responses to questions I send to the airlines suddenly stop. I assume those helping me have been furloughed or laid off. Watson will now be staying in the US with my daughter. This is great as they love each other, but awful as I’m leaving them both behind at a terribly worrying time to be a mother to anything or anyone. But I have nowhere to live after May 14th so must move somewhere.
My husband and I find a rental house on Exmoor online and sign contracts, sight-unseen, because we need an address in the UK before the shippers can transport our furniture. We must have a utility bill before we can fill out the customs forms. We have no choice but to pay rent in the UK for a place we can’t move to yet. My US citizen husband can’t even file his UK spousal visa application as all the offices are closed. We find a tiny one-bedroom apartment in Madison, Wisconsin, that will allow us to sign a three-month lease. It’s not much but it’s a roof and a rented bed. We’re now paying rent on two continents with no idea how long we’ll be doing that for. Awesome! (*checks book sale royalties* Not so awesome.)
I’m interviewed by BBC Somerset about my adventures trying to get back to Exmoor. It’s hard to know what to say. There’s no information to share about how to do it. No one has a plan or even a prediction as to what will happen. I can only say, ‘What a mess’ so many times.
Everything in the last two months has been strange and unpredictable. But if I had to mark the most singular reminder we’re living in extraordinary times, it would be finding my emergency supply kit stashed in the back of the basement.
Living in England, my idea of an emergency kit was a couple of Band-Aids in my back pocket. Maybe a backup corkscrew. That was it. But when I moved to the United States, I realised much of the country was virtually uninhabitable, and an emergency of some kind practically guaranteed. Earthquakes to the west, hurricanes to the east, blizzards to the north, wildfires everywhere. I’ve lived in all these locations over the past thirty years. My neighbours in California encouraged me to reconsider my back pocket emergency kit. A large trashcan-on-wheels was mentioned. What?!
The thinking is – was – any kind of emergency required you to leave your house. You should plan on being gone for at least 72-hours. You must stuff your trashcan-on-wheels with plastic sheeting and string for making a simple lean-to shelter. A camping stove, thermal blankets to protect you from exposure. A penknife, dried stew mix, headlamps so your hands are free to set up your lean-to in the dark. A tin opener. Rain ponchos. A big stick to protect your supplies from others (the less prepared) walking the earthquake-savaged roads of Los Angeles or the tornado-damaged neighbourhoods of the Midwest. To defend your boat, now sitting inland two miles after a hurricane in New England.
I’ve been through major earthquakes and hurricanes and tornado warnings with nary a scratch. But as I stare at my emergency kit in the COVID-19 era, packed inside its bright blue trashcan-on-wheels, I realise something: it’s all worthless. What good’s a lean-to against a virus? What good’s my headlamp (unless it could light up contaminated surfaces) and my tin opener? That fancy wound kit, full of finger splints and ankle wraps? Useless. Miles of string. For what? Tying the doors shut so I don’t go out? (Oh, look! Two rolls of toilet paper squashed in the bottom of the trashcan. Now, THAT’S useful.)
No one ever suggested I prepare for a pandemic. Not at the individual, state, national or global level. Even though we’d had warnings. The year 1918 springs to mind. So I’ve spent the last few days thinking about all the things I wish I had in my emergency kit now. They would be considered non-essential in a different time, and I can’t justify going out to shop for them now. You won’t find my list printed on any Red Cross, FEMA or WHO website. But you can bet I’ll always have them handy from this time forward.
Games, books, greetings cards for every occasion and the stamps to mail them. Hair dye, hairbands. Aged whisky. Prosecco. (I rarely drink but that may change soon.) Noise-cancelling headphones; protection from the home-schooled kids next door. Colouring books to throw over the fence at the kids next door, like hamburger to a barking dog. Graduation/birthday party decorations, even though no one else can come to the party. Birthday candles, sidewalk chalk, noise makers for the heroic handclaps, bubble blowers – entertaining at any age. Dog treats, as pets are fenced in too. Did I mention hair dye? A mechanical robot hand grabber thingy for curb-side pickup. Slingshot for quieting the kids next door. Megaphone for communicating with the mailman. Hundreds of thank you cards for all the small acts of kindness shown by so many in countless ways. A million dollars in tens and fives for tipping everyone who’s still going to work at a hospital, care home, janitorial service, take-out restaurant, delivery company, emergency service or grocery store. EAR PLUGS! Those viral videos of the neighbour singing opera from his kitchen window? Funny. Once. Not so funny when he decides to make it his new revenue stream. A remote control with an extra-large mute button to stop You Know Who from invading my space with ridiculous ‘news’ briefings. I may have mentioned hair dye before.
It’s clear I’m going to need a bigger trashcan.
Emergency kit aside, here’s what I wished I done before the world changed: hugged everyone I knew, every time I saw them. Every. Single. Time. Breathed in the scent of them, stored their laughter in my memory. Learned to use Zoom in split screen. Had my hair cut shorter than necessary, every single visit to the hairdresser. And practiced cutting my family’s hair, while there was still a hairdresser available to fix failed attempts. I wish I’d never postponed a visit to the eye doctor or dentist. Wish I’d taken a frail neighbour out to dinner. Wish I’d returned to England last year.
If wishes were horses …
My plan to return home this spring has dissolved into chaos and confusion. There’s no point lamenting this. Too many others are fighting far worse battles than a mere transatlantic relocation delay. It’s life and death out there, folks. Let’s not forget that. But I allow myself disappointment and anxiety without guilt. I’ve been working so hard on this move for six months. The delay is frustrating and expensive. I focus on taking a small step forward every day. The basement is finally cleared. The worthless emergency kit, re-evaluated. I’ll work on restocking it with what’s really essential as soon as possible. When I do, I’ll focus as much on mental well-being and staying connected as as I will on physical survival.
Take care of yourselves. I’d hug you if I could. xx
‘When was the last time you did something for the first time?’ John C. Maxwell
I’ve been thinking about this a lot lately. We spend so much of our lives repeating the same limited array of actions; the routine so ingrained we don’t even miss what we’re not doing. Oh, I know, we sometimes look up from the alarm clock, the grocery cart, the housework, the dog in need of a grooming, the editing, the writing, the rewriting, to say, ‘I should do that’. But don’t.
This past year, though, I’ve broken out of my personal routine. I’ve committed to doing something I’ve been just talking about for years. Yep. Going home. Back to the United Kingdom. Back to fish and chips, egg cups, dog-friendly pubs, good chocolate and exorbitantly high petrol prices. And the National Health Service and BBC license fees and Trooping of the Colour and stunning national parks and Brexit. Leaving behind endless snowy US winters, stunning national parks, two-year-long election campaigns (Do they ever really end in the US?), school shootings (Will these ever end? Seriously, America?), uber-convenience (think warm cookies delivered to your door, 24/7) and extra sugar in everything, including bread and possibly soap.
With this dramatic change on my horizon, there’ve been a lot of first and a lot of lasts lately.
Searched for a house to purchase on Exmoor. Signed contract on a house on Exmoor. Retracted said contract when things fell apart. Continued search for a house.
Researched shipping a dog from the US to the UK. It’s not cheap, is it? And it’s stressful, for all of us but Watson. He’s none the wiser at the moment but that will change when he sees the crate. Which, unfortunately, must be ordered in ‘Woolly Mammoth’ size due to Watson’s mixed heritage including a large dose of Great Pyrenees.
Got US citizenship. (I know, I know. Why, you ask if I’m going back to the UK? It’s the travel restrictions on green card holders. Have to be free, man.) Attended my own citizenship oath swearing ceremony and assisted at another for refugees.
Travelled on a US passport. The only thing I enjoyed about this was the photo on my new US passport is much nicer that on my old UK passport. Now it’s not such an ego-bruising occurrence as the immigration officer sniggers behind his screen.
Lost European Union citizenship. I think. Not sure of the exact date that happened/happens. Was it January 31st or is it the end of 2020? Who knows?
Published a second novel. That can never happen again. So is it a first or a last? Luckily, publishing a third can happen for the first and last time also. It can also happen wherever I am in the world.
Paid off our thirty-year mortgage. That felt good! Can now afford the Woolly Mammoth crate.
Witnessed my youngest graduate university.
The Lasts. (At least, I think they are…)
My youngest graduated university, which means no more payments, or summer jobs, or ‘Can I borrow the car?’, or ‘Send food parcels, please’, or sweating grades. It’s been a jolt to realise I no longer have a dependent child. Luckily, I still have a dependent hubby and dog. Or maybe I’m the dependent there. Depends on the day.
Celebrated last Christmas and New Year in the US.
Spent six hours in one day shovelling a massive amount of snow from my driveway. (Should this happen in my new English home, I’ll be upset. Seriously upset. But packing one snow shovel, just in case.)
Applied for citizenship in a foreign country. At least I hope that was the last time. The paperwork was mind-boggling! The emotional toll was also greater than I expected.
Filed taxes for last full year of earnings solely in the US. 2020 will see filings in both the US and the UK. Can’t wait.
Condensed photo collection from what seemed like a hundred boxes, envelopes, drawers and albums into five photo storage boxes. While I enjoyed the sentimental journey from my own childhood through my children’s childhoods (went digital in 2006 – thank goodness!) it was a massive task I hope never to repeat. I hear you saying, ‘If she’d been more organized through the years, it wouldn’t have come to this.’ I don’t need this from you, thanks very much. But come over and I’ll show you Every. Single. Photo. You’re welcome.
Weighed – literally – the value of items based on nostalgia. Does that child’s tent, book, box of baby clothes, wedding dress, favourite leather chair, china serving dish I’ve never used but was given to me by a favourite person, etc., warrant the expense of shipping?
Bought my last roundtrip ticket from the US to the UK and back. Next time I travel, it will be roundtrip from the UK to the US and back. This may not seem a big deal to you, unless you’ve spent thirty years away from the place you consider home. The roundtrip starting point becomes a huge deal. A Woolly Mammoth deal.
So much still to learn and organize before the move. So much still to experience here in the US before saying goodbye. So if you ask me, ‘When was the last time you did something for the first time?’, I can say, ‘Oh, about lunchtime.’
Wishing you every success with your own firsts and lasts.
The last decade ended with great excitement. I thought I’d purchased my first house in England, ready to move home after thirty years in the US. This new decade began with great disappointment. The purchase fell through. Hand wringing, lamenting, and yelling ‘A pox on all your houses!’ didn’t seem to accomplish much. A change in tactics now finds me waking at 4:30 a.m. to peruse real estate websites and badger all my Exmoor friends to be on the lookout for suitable properties. Many have stopped answering my calls and it’s only … still January. Anyone would think they feared my return. Fear not, brave allies! I shall return in all hast to force copious amounts of clotted cream on you. In the meantime, I remain in the wrong time zone.
As a distraction from lamenting and house-poxing, I turn to books. Not my own as I’m too distracted. Haven’t written or rewritten or edited a word in a couple of months. Luckily, other authors are filling the void and I’ve read some awesome works, many outside my comfort zone. Out of necessity, I spend a lot of time reading within my genre. I need comparative titles for agents, a current view of the publishing landscape, a familiarity with like authors, what’s working and what’s not. Reading is certainly pleasurable but it’s also work. I used to read everything and there’s no reason to stop just because I’m now a writer in a certain genre, right? In fact, every reason to broaden my horizons. So, 2019 was the year I stepped back outside my humorous fiction cave and blinked in the light of forgotten categories.
I found some of my 2019 reads through PBS’s Now Read This (https://www.pbs.org/newshour/features/now-read-this/), and still others at my new favourite hangout, the reviewer’s copy table at Barnes and Noble: new releases at discounted prices. Some of my reads are brand new releases, others are old classics. I’ve linked to reviews rather than sellers where possible as I know you have your own purchasing preferences. I hope the links work wherever you are. I’d love to hear your recommendations from your own reading adventures. Here goes:
Spy thrillers became a favourite genre after meeting Tom Clancy at a book signing, then marrying a US Naval Officer. But that was years ago and I’d let the spy work go. Daniel Silva’s The English Girl brough me back with a vengeance. (Though I could never write this. Here’s why.)
Everyone should top up their classics reading each year. (Tracey, that means you.) My choices were I know Why the Caged Bird Sings, Maya Angelou, American Gods, Neil Gaiman, and Rebecca (Daphne du Maurier). How could I never have read Rebecca before now! It’s awesome! But most of you knew that already, I suppose.
The flip side of the classics is to take a chance on a debut author. Beneath the Flames by Gregory Lee Renz is a great place to start. I met Greg at the UW-Madison Writers’ Institute and, boy, can this former firefighter tell a story.
War and violence are topics I steer clear of if I can. There’s just too much going on in the world for me to find the awful things we do to each other entertaining. But A Woman Among Warlords, Malalia Joya, and The Beekeeper of Aleppo, Christy Lefteri, are eye-openers. I’ve started 2020 with Olga Grjasnowa’s City Of Jasmine, about the refugee crisis brought about by the war in Syria. Foreign translations haven’t been on my radar for a while, yet City Of Jasmine, translated from German, reminds me to look outside my native language. It’s a fantastic book. Never will images of boats full of soaked people leave my consciousness. I volunteer with refugee populations, but I need these non-fiction and fictional accounts of prior lives and journeys to help fill my knowledge gaps.
I didn’t abandon the lighter-hearted, fun read. Far from it. I read many. A favourite was Rules For Visiting by Jessica Francis Kane. Maybe it was the timing of my own hopes to reconnect with old friends in England (those still taking my calls) that deepened the meaning of this tale. Or maybe it was the protagonist’s job, her world filled with plants and flowers. Either way, I enjoyed it.
I read my first Stephen King, Duma Key. The author has the potential to do quite well. You heard it here first.
Some 2019 reads I didn’t fully appreciate and one in particular was downright awful (mentioning no names), but each one sharpened my senses for what kind of writer I hope to be. Stephen King (an up-and-coming author I’ve mentioned before) says, ‘If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.’ I believe him. Here’s to taking my open genre mind into 2020 – and into my own writing.
One more thing: I’ve decided not to participate in the Goodreads 2020 Book Challenge, where readers are encouraged to set a goal for number of books they’ll read in a given year. I’m too numbers-oriented for this. I find myself focusing on book count, finishing books I’d rather put side, choosing a shorter book over longer just to chase an arbitrary target. Which I missed. Two years in a row. Dropping that stressor (I need to save all that dopamine and epinephrine for house-buying) means I’ll read exactly what I want, when I want.
I’ll still write reviews of everything I read, of course, as reviews are the lifeblood of any author. If you’ve enjoyed my novels, please consider leaving a review on Amazon, Goodreads, Smashwords, or Barnes and Noble. Then go and read something outside your comfort zone – and review it. Your new favourite authors will thank you. Hey, even Stephen King needs validation every now and then. Wonder if he’s tried to buy a house lately?
To know me is to know I’m somewhat of a cream tea aficionado ‒ and I don’t mean just the ‘life-as-an-expat-makes-me-crave-all-things-English’ kind. No, I’ve loved scones and jam and clotted cream since I was old enough to lick the inside of a jam pot. (Which, incidentally, is frowned upon now I’m older.) Anyway, in anticipation of my move back to England, I contacted one of the most iconic tea rooms in the United Kingdom to see a) if they’d let me in, given my penchant for licking the inside of jam pots, and b) if they’d show me the inner workings of my idea of Nirvana: a tea room. Surprisingly, they said yes. Enter Paul Gibbs and David Pollard.
A chilly autumn mist
lingers over much of Porlock Vale as I negotiate the winding lane to Selworthy.
I feel I’m driving through a portal, framed by arcing gold, russet and amber
boughs. This much beauty is distracting, and I haven’t even reached the iconic
Selworthy Green yet. Changing gear is trickier than I remember and I almost
stall going around the 90-degree bend by the 15th century whitewashed
church. Thirty years in America leave my left hand unused to such driving tasks.
I pull into the car park and grab my journal, leaving my laptop under the front
seat. I’d initially thought I’d carry it in for my interview with Paul and
David, the dynamic duo behind Periwinkle Tea Rooms and Clematis Cottage Gift
Shop and Gallery. But as I stand gazing across thatched rooves, the silent
cemetery and striking views of the moors, high tech seems somewhat out of
place. Maybe I should have brought a quill and parchment paper. And worn a
bonnet. Too late now. Where does one buy a bonnet these days, anyway?
I open the gate
to Selworthy Green and cross the threshold into a different world: birdsong,
the brittle crackle of leaves chattering back to the wind, a stream gurgling
towards the sea after a stint on the moors high above the village. A step back
in time. Many a dream of moving to Exmoor begins at this gate.
Clematis Cottage greets
me on the right. A lichen-covered bench sits in welcome under the diamond-paned
cottage window. A riot of pink resurrection lilies keeps the bench company. Pyracantha
and ivy cascade over the stone walls and steps. An ilex tree of some variety
draws the eye through the bountiful berries to the fields and moors beyond. I
feel no need to take another step. Surely this bench is as good a place to
spend eternity as anywhere? But I take one more step because my nagging subconscious
reminds me I have an appointment.
I pause again on Selworthy Green. I have no choice, appointment or not. Surrounded by burnt-amber cottages topped with mossy thatched hats, its grassy welcome is set in a frame of confectionary-coloured flowers, even in November. Picture postcard perfection. I inhale the welcoming scent of a wood fire, tendrils of smoke curling from a chimney into the air. A door opens. A cheery hello, followed by ‘Want a cup of tea?’ Why, yes. Yes, I do.
Paul Gibbs waves me into Periwinkle Tea Rooms. Paul and David are entering their second year as National Trust tenant operators here, though there’s been a tea room in this location for decades. Ducking under the thatched porch, I’m reminded of a hundred other entries into this hallowed place. As a teenager, sullen (until the cakes arrive), as a newly-wed, proudly presenting Exmoor to my American husband, as a mother introducing my US-born children to an important part of their cultural heritage – clotted cream, flapjacks and ploughman’s lunches. And now, as a homesick expat and empty nester, looking for all the comforts of home I just can’t replicate in America. The tea room had been closed for several years. Seeing it open again elicits more complicated emotions than I’d imagined. I thought I’d lost this part of my history.
With a grateful sigh, I take in another of my favourite Exmoor views: A sideboard groaning with cakes, a glowing fireplace, tea pots lined up like soldiers ready for the lunch fray. Wonky beams and low ceilings; all of it familiar. Yet, there’s something new here, an energy that belies the quintessential ticking-clock-sleepy-cat-on-windowsill expectations of an English tea room. This is no museum to the lace table cloth, encased in magnolia white walls, the hush broken only by the faint clatter of a stainless-steel teapot lid.
There’s new colour
here. Plenty of it. In the seafoam walls, in the local artwork, in the cushions
scattered around the bench seating. In the light reflecting from glistening ceramic
tea pots and the quirky snail-shaped menu holders.
There’s music too,
coming from sophisticated elec-trickery
(remember the Cat Weasel TV programme?)
flashing under the cakes. It’s my first clue this is a thoroughly modern
operation wrapped in quaint trimmings. As Paul directs my tour – I’ve never
been upstairs before ‒ I realise this is not your grandparents’ tea room. There’s
a computer screen above the impressive commercial ovens in the bakery. Paul shows
me detailed statistical analysis: every scone sold in 2018 (13,628), every
cream clotted (33 kilos) every carrot grated (26 kilos), walnut halved (20 kilos),
egg cracked (3,727), Victoria sponged ‒ sorry, your majesty, but that’s 7,453 total
slices of all cake varieties for a total of 828 cakes. And finally, every dollop
of jam (410 kilos). That’s a lot of jars to lick!
Where am I? This is not what I expected. I’m somewhere between below stairs at Downton Abbey and the bridge of the USS Enterprise. (Darn it. Should have brought my old laptop in with me, just to compete.) Pulling up more screens, Paul shows me social media has replaced the lunch gong here. The business twitter account has a staggering reach of up to a million a week. There’s Instagram, Facebook, a polished website and a blog, all responsible for an impressive increase in guests taking detours to visit. The only nod to custom in the kitchen is a binder full of recipes, including all the traditional favourite cakes, biscuits and scones, along with new inspirations, like smoked salmon, leak and potato soup. Paul tells me the recipes are followed precisely, every time. Nothing is left to memory or chance. A guest can return time after time for that favourite coffee cake and never leave saying it was better last time. This is all part, Paul says, of knowing your business, knowing your market, and never compromising on standards. This may explain why they won ‘Tourism Business of The Year 2018’ at the Best New Business Awards.
It all seems so … not thatched. I’m sensing SEO manipulation and business projections Amazon would be proud to call its own. Turns out, I shouldn’t be surprised. Paul and David also run Mill Close Solutions, a management consulting business specialising in leisure, tourism and hospitality start-ups. With their Selworthy businesses open seven days a week, eleven months of the year, when do they have the time, you may ask? I almost feel guilty interrupting their day for a cup of tea. Almost.
I’m honoured to
be offered a seat in Writers Corner, designated for local writers who meet to share
all things ‘Author’. (Authors eat cake too, I’ve heard.) I start by testing the
tea. Periwinkle Tea Rooms uses Miles tea, a local supplier who blends tea and
coffee specifically to compliment the peaty Exmoor water. I don’t know what
that involves, but it tastes sublime. Of course, that could be as much a part
of context as flavour. Hard to imagine not enjoying anything in this glorious setting.
Taking a break from his duties at Clematis Cottage ‒ the gallery side of the business featuring Exmoor artists ‒ David joins us for a chat about finding home. His journey to Selworthy started on a fruit farm in Kent before spending eighteen years on Sark, in the Channel Islands. He says he doesn’t miss Sark, mainly because it could take weeks to get off the island in bad weather. Paul, born in Devon and raised in Dorset, has a strong family tie to Selworthy. His great-great-grandparents worked on the Holnicote Estate, one as a woodsman, the other as domestic help. They even lived in one of the Selworthy ‘grace and favour’ cottages. They rest here still, with their youngest daughter, in the churchyard a few yards from where we sit. Paul recalls conversations with his great-grandmother about life in the village. Treasured memories.
ancestry full circle to now live himself in Selworthy is profoundly meaningful
for Paul. ‘Selworthy is such a special place for so many people,’ he says. But
for him it’s more than that. It’s the beating heart of his family history. I
wonder out loud if someone had to compromise to live here, the historical
connection deeper for one half of the partnership than the other. After all, I
have the same concerns about asking my husband to move to Exmoor just because
it’s home for me. But neither Paul nor David struggle with the decision. They both
cherish the opportunity to make Periwinkle Tea Rooms and Clematis Cottage ‘must
see’ destinations. They’ve succeeded already. Trust me on that.
Their love and
excitement at being here has led to phenomenal success, outperforming all
expectations in their first years. They’re certainly willing to go out on a
limb for their guests, even throwing an impromptu wedding reception for a bride
whose ancestors lived in Periwinkle Cottage. They organized a meet and greet
for me with other local authors too ‒ well above and beyond the call of scone
I wonder what Paul’s great-great-grandparents would think of a world-renowned, technologically-advanced enterprise in Selworthy. It was, after all, just low income housing in an isolated village ‘back in the day’. Who knows? But certainly, this is not your grandparents’ tea shop ‒ unless you had state-of-the-art grandparents. That said, Periwinkle Tea Rooms still uses your grandparents’ recipes. Those delights, combined with time-honoured tradition, stunning scenery, the welcoming warmth of a fire cracking in the grate, and good old-fashioned hospitality will bring me back to Selworthy over and over again. No matter how long I’ve been away, this place is part of my family tradition. It will continue to be so thanks to Paul and David.
There are pros to
life as a rolling stone: a global perspective, varied opportunities, a trail of
diverse friendships, strong adaptive skills. Cons: an outsider’s perspective, constant
regrouping, new rules. (Did you know you can display the Union Jack instead of
a licence plate on the front of your car in Connecticut, but not in Wisconsin? ‘Officer,
I didn’t know that. Thanks for informing me in front of everyone with blue
lights flashing and your hand on your gun.’ Some relocation lessons are
hard-earned, but for the most part they add zest to life.
Despite my wanderlust,
I find myself envious of those who’ve remained in an area long enough to pull
back the curtain; to know all the workings of a place. As I build momentum for
a move back to England, I thought it may be helpful to find someone who knows
Exmoor like that.
Nigel journeyed to Exmoor via Hampshire,
Nottingham, and London. He’s worked for
the National Trust for forty years ‒ mostly on Exmoor ‒ currently as the Projects
and Grants Manager for the Holnicote Estate. (From the ochre-tinted cottages of
Selworthy to the peak of Dunkery Beacon, the Holnicote Estate comprises most of
what I call home.) Nigel’s bio says
he’s ‘passionate about the countryside, wildlife, music and cooking good food!’
Sounds like someone I should meet.
We shake hands in
the car park at Horner, a tiny hamlet at the foot of Horner Wood ‒ an 800-acre
section of the Holnicote Estate. Blue skies greet us after days of rain. We
head off into what Nigel calls his ‘favourite temperate rainforest’. This is
one of my favourite spots too. Horner Water burbles through the predominantly
sessile oak woodlands. Cloutsham Ball sits at the top of the steep combe,
presiding over dramatic views of Hurlstone and beyond. Dunkery Beacon towers
over all. On horseback or on foot, I feel cosily cocooned here. It’s the
location of one of my favourite benches in the world.
I thought I knew this place quite well. Turns out I knew little but the trails. Nigel knows every turn in the river, every plant, every historical detail, including the locations of at least two Iron Age hill forts near by. He points to a raised earthen berm topped with mature trees, a testament to the Tudor Age men who rerouted the river to facilitate their iron ore industry. Yes, they moved the river. I didn’t know that. We cross it via a small bridge. Nigel explains the bridge timbers were replaced by iron railway lines, recycled from the West Somerset Railway. He shows me pollarded trees, a pruning technique used for encouraging young growth for fencing and ship-building. I’d never noticed their unusual shape. As we climb, we pass a storm-ravaged oak, its trunk fractured into a stunning natural sculpture. Nigel tells me the year it happened. He conveys an unspoken understanding it is worthy of note, as though the tree is a friend. Oaks here can be upwards of seven hundred years old. I feel a need to spend a few respectful moments with the mangled tree.
As we admire the
view across to Wales, I comment on the amount of holly covering the slopes. I
don’t remember there being this much of it in the undergrowth. Nigel see it as
a rather pesky plant. Since the reduction of sheep grazing in the National Park
‒ a result of agri-environment grants to reduce the impact of trampling and
damage to heather moorland ‒ holly has taken over. During research, I discover “Holnicote”
may trace its roots to the Anglo-Saxon word for holly ‒ holegn. Therefore, its dominance here may be well established.
I remember more mistletoe. I saw so much of it from the saddle years ago. Nigel tells me there’s less now, but still some near Timberscombe. Anything I notice Nigel can explain, whether it be acidic soil, resulting in fewer native flowering plants, or policy change and its impact on vegetation. He shares more: Greater than 440 species of large fungi can be found in Horner Wood. It’s considered by some the most important woodland for fungi after Windsor Great Park and the New Forest. Horner Wood is also one of the richest bat sites in the United Kingdom, boosting fourteen of the seventeen UK breeding species, including the rare Barbastelle. This may explain how busy Liz Bradshaw is, Nigel’s wife. She’s an expert, regularly consulting on all things bat.
We come to a monitoring station on the banks of the river. I can’t imagine what it’s doing out here. Of course, Nigel knows. He’s part of a research project called the Multi-Objective Flood Management Demonstration Scheme. The equipment at the station collects water flow data every five minutes. Using this information, flooding in the Bossington area ‒ where Horner Water enters the Bristol Channel ‒ has been significantly reduced. Modern science buried deep in the ancient forest. Who knew? I wonder what Tudor Man would think of this technology and if it would have impacted decisions to move the river. Maybe Horner folk considered Bossington folk too far away to worry about.
What’s it like to
know a place so well, to be so acutely attuned to its strengths and weaknesses?
It comes at a cost, Nigel feels. Not all is smooth sailing in Camelot. His job sees
him sharing information with Exmoor residents on controversial and divisive
topics, such as Brexit and the banning of hunting. It hasn’t always made him
popular. Exmoor, as seemingly remote from Parliament and Europe and US politics
as anywhere, still exists alongside current issues. That’s a good wakeup call for
me. Escaping world complexities is not what Exmoor is all about.
We discuss the
biggest changes over the thirty years I’ve been away. Nigel feels the number of
visitors, the extension of the tourist season, and the purposes for which they
visit can be viewed as blessings and curses. They change the special qualities
of Exmoor. Landscape and wildlife pay a price for successful Exmoor businesses,
such as adventure tours, hotels and shops. “Erosion, with its inherent
soil loss and water run-off is becoming a real problem,” Nigel says. This
translates into a decline in upland wildlife. He continues, “Curlew, ring
ouzel, merlin, whinchat, stonechat, grasshopper warbler – all disappeared or
rapidly disappearing from Exmoor.” It’s a familiar dilemma in areas of
outstanding beauty: the very businesses necessary to sustain an area can damage
it. Nigel feels strongly about this. “National Parks should not put recreation
above biodiversity.” I promise to remember this.
moss-covered stone walls and the quintessential wooden pathway signs. It’s all
breathtakingly beautiful to me. I ask about other places Nigel enjoys. Apparently,
Badachro, in Wester Ross, Scotland speaks to him of home as I define it: the
place you sleep the best and breathe the deepest. “It reminds me of Exmoor thirty
years ago,” he says. “A wild, untamed, wildlife-rich landscape that excites me
every time I visit.” Recently announcing his retirement, Nigel plans to spend
more time in Scotland. As my face falls – but
we haven’t got to the ‘cooking good food’ part of your bio yet! – he
assures me Exmoor will still feature prominently in his life. Its diversity of
landscapes and wildlife, its cultural richness, including archaeological
evidence of 5000-year-old communities, its wild appeal and remoteness ‒ while
only two hours from Bristol and Exeter ‒ all keep him passionate about Exmoor.
We exit the trees just above the old watermill and head back to the cars. I cherish a whole new appreciation for Horner Wood, but Nigel makes me realize just how much I don’t know about my ‘home’. Or anywhere for that matter – the curse of the constantly rolling stone. I can tell you Bora Bora is surrounded by surreal turquoise waters, the central California coast, though ravaged by fire and landslides, is still beautiful, that the brutal winter storms of Wisconsin produce stunning natural snow sculptures. I can tell you Bahamian sea water is too warm in August, your feet will get wet in Venice, and New Zealand’s volcanic and glacial topography never fails to impress. I can tell you where they serve a great tres leches cake in Costa Rica and that the Brazilian rainforest is vast. What I can’t give you is depth. I can’t express a connection forged by time. But I want to know Exmoor; to pull back the curtain and learn to greet a tree like an old friend. It will take a while. And that’s okay.
Many thanks, Nigel, for sharing your knowledge, and for your commitment to Exmoor.
If you caught yesterday’s blog, you’ll know I paid a visit to the West Somerset Morris dancers as part of my ongoing effort to reconnect with my English roots. It was a success. I left the session feeling more English than when I arrived, which shouldn’t have been a surprise. Witnessing part of something so intrinsically English is bound to stir the old DNA. But something did surprise me. I hadn’t expected to meet so many kindred spirits. Several WSM members recognized and understood the pull of home. They had also left their birth places before connecting in Somerset. I found out more about them during the tea break …
didn’t used to serve tea during practice ‒ until women joined WSM in 2015.
Thank goodness for women, I say. As the kettle boils, I get to corner a few of
the members to ask: why Morris dancing and why Somerset?
For several WSM
members, Somerset is where they were born. Mitch, Reg, Dudley, Peter, Joe,
Edmund and Ray have called Minehead, Watchet, Taunton or Bishops Lydeard home
forever. Other members followed somewhat more circuitous routes to Somerset.
Like Kathy and Andrew, husband and wife, who lived for several years in New
Zealand. Retiring in Yorkshire, their desire to be active members of a
Morris led them to Somerset. Though a passion for the dance attracted them to
the Southwest, they happily report considering the area home now.
After a four-year
stint in Africa, Nicky explored the rest of the world with her husband,
Malcolm. It was a trip to visit the in-laws in Porlock that led to permanent
residency on Exmoor. Nicky’s always enjoyed Morris music and as soon as women
were invited to join WSM, she jumped in. Or is that cross-hopped in? ‘Dancing
with the Morris is such an uplifting experience,’ Nicky says. ‘The men are
hilarious, as you may have noticed.’ Yes. I have noticed.
Anne moved to Somerset seven years ago. She was delighted when the West Somerset Morris asked ladies to join. In her opinion, the WSM is the best thing about Somerset. Barbara was born in London, moving to Somerset thirty years ago. She didn’t hesitate to join WSM as soon as women were allowed. She tells me the group makes everyone so welcome, it’s like family to her now. I’m starting to get that sense after only an hour in the group’s company.
Edwin, who plays
the concertina, was born in Watford, near my birthplace in Hertfordshire. He
studied Classics at Oxford and came to Somerset ‒ via a stint in Manchester ‒
to be closer to his wife’s family. This is Edwin’s fiftieth year as a musician
for WSM. He requires no sheet music, just the name of the dance and he’s off ‒
foot tapping, eyes half closed, lost in the moment. He tells me it’s the people
here that make Somerset home. As I witness the jovial comradery in this village
hall, I believe him.
Steve washes the
mugs while I dry. His story is unique. Having spent his life in Oxfordshire, he
dabbled in genealogy after retiring. Unbeknownst to him, five generations of
his family were out of Watchet, a Somerset coastal community. Upon discovering
this, he felt drawn back to his ancestral lands and here he is now: a
It’s an interesting mix of experiences: those who remained settled in one place and those who found home later in life. Both groups feel it’s important to perpetuate the traditions of Somerset and Exmoor. I’m shown memorabilia saved from each public display. Photos and flyers preserve happy faces outside pubs and on village greens and at Christmas celebrations. All proceeds from displays go to charity. This year WSM are supporting Halway Manor Library, The Air Ambulance and Southwest Children’s Hospice. Good fun and good citizenship. Win-win.
I ask Squire Joe
if he considers Morris a re-enactment of the past or whether it is, in fact,
forging ahead, making new traditions. He thinks it’s both. Times change: women
join, tea breaks are added, and they don’t drink as much alcohol during
displays anymore ‒ that’s what Joe tells me anyway. When asked about the main
draw to join the Morris, Joe feels it’s a fun hobby that encourages members to
connect to place, time and each other.
Sounds good to me
‒ ancient dance woven into the fabric of society. Dance aside, I see a pattern
here: people searching for connection and home. Whether through ancestry or fluke,
there’s a shared desire to be part of traditions that both precede and outlive
us. I vow to weave myself back into England as soon as possible.
I wish you home
for the holidays, wherever that is for you.
I heartily thank
the West Somerset Morris for their kind welcome. The hilarity was a bonus!
‘I’m off to find
England. MY England’, I announce to my American husband. ‘Great,’ he says.
‘Bring back some Club biscuits.’ Tut. Eyeroll. Like Club biscuits epitomise my national
identity. (They’ll be in my luggage anyway.) But if not Club biscuits, what exactly
is ‘My England’? I’ve met many Brits abroad who crave the comfort of all we
left behind, without being able to pinpoint what that is. Hiraeth (or hireth,
Cornish spelling) ‒ a deep yearning for home with a sense of loss ‒ has taught
me to beware the rose-tinted dangers inherent in returning to the land of my
birth. After all, what exactly do I think I’m returning to?
Sounds like a fieldtrip’s
in order. I head across the Pond to search for …well, England. A white
handkerchief flashes in my peripheral vision. Enter the West Somerset Morris.
Morris dancing, that most quintessential of ancient English folk dances, prances proudly through my youth. May Day festivities, royal jubilees, Christmas pub crawls, the Morris dancers were always there in sashes, tabards and tatter jackets. The sounds of the concertinas and fiddles blending with the bells attached to the dancers’ shins. To the rest of the world, the scene may be evocative of cosy murder mysteries; Morris dancers used as a cinematic cue we’re in jolly, quaint, quirky, hankie-flapping England. It’s bound to be one of the dancers who trips over the dead body.
But I digress.
I’m here to discover my connection to this English tradition. The West Somerset
Morris is brave enough to let me visit a practice session.
I drive to
Sampford Brett, a village just outside Exmoor National Park. As I check
directions to the village hall, a peal of bells makes me smile. I roll down my rental
car window. The joyful tones cascade from the church belfry and wash over me;
memories of childhood Sunday evenings. Nowhere else in the world do bells sound
like this. But I mustn’t tarry. The Morris waits for no one. Gathering up my
pen and camera, I pull open the door to the village hall, and step inside the
beating heart of English tradition.
greets me ‒ Bagman an infinitely more interesting title than secretary. Ray is
also the Foreman of this Morris, aka the dance teacher. Next, I meet Squire Joe
(the leader). Other dancers arrive. In a corner, the musicians set up: fiddle,
concertina and flute.
I’m placed in a
safe position at the side of the hall – there are spinning bodies to avoid
after all. Members line up and the music starts. Foreman Ray names the dances
for me: Maid of Mill, Banbury Bill, Nuts in May (this one involves chunky sticks.
I’m here to tell you, they don’t hold back in taking swings at each other),
Border Dance, Skirmish, Jenny Lind, to name but a few. It’s a chilly night but
there’s soon a sweat on brows. This is a workout and then some.
carefully round the perimeter to take photos as Foreman Ray calls out dance
steps. Squire Joe wants more energy from the dancers. The dancers want Squire
to take smaller lateral steps so the lines remain true. This is an art steeped
in tradition, and members are sticklers for maintaining form. I try a discreet little
hop step myself. It’s harder than it looks.
During the tea
break, I ask the group about their own roots and ties, both to this dance and
this part of the country. Members recount stories of global travel,
coincidences and genealogical flukes. These stories follow tomorrow in Part II.
their tea. The fiddle, flute and concertina fire up, and they’re off again ‒
sticks clanking and whoops whooping. The steps have exotic names like
Whole-Hey, Half-Gyp, Caper, Hockle Back and Cross-Hop. Handkerchiefs must be
flicked outwards from chest level, no lower. Ray explains these little details
distinguish one Morris from another and one area of the country from another.
It’s fascinating. I’m so joining the Morris when I move back here!
Or so I think until Bagman hands me a pair of handkerchiefs and invites me onto the floor for the final dance. Let’s just say, it’s a good job I wasn’t trusted with the sticks. As I cavort gamely, trying not to trip anyone while flicking my handkerchiefs with abandon, I’m reminded of the description of Morris dancing in Cecil J. Sharp’s book, The Morris, written in 1907: ‘…the Morris dance is a bodily manifestation of vigour and rude health, and not at all of sinuous grace or dreaminess.’ I may have the rude bit down as I crash around. No one declares I dance with ‘sinuous grace’. Maybe I’m a natural after all.
All too soon, it’s 10pm and practice is over. Ray tells me I’ve only been privy to half the experience so far. It’s on to the pub for a pint, as much a part of Morris as anything, with its history steeped in ale since mediaeval times. Unfortunately, I have an early assignment tomorrow, so have to pass on the offer. Good excuse to come back for the rest of my education though.
I wind along the inky-black
lanes towards Porlock, wrapped in a sense of history, of belonging, of roots. Was
it the dance? The tea? The tradition? The comradery? Yes. Yes, it was.
I’ll never take
for granted the work and dedication of individuals preserving traditions. They
mean so much to the expatriate ‒ this one, anyway. Can I fully explain my
connection to home? Not really. It just is. But I reconnected with part of my
England in a tiny hall in a tiny village, dancing with people I’d never met. I
found kindred spirits in the jingling heart of my home, complete with church bells
and Morris bells. I can’t thank the West Somerset Morris enough for pulling me back
into the dances of England.
I’ve just returned to the United States from a promotional book tour in England for Dunster’s Calling. Let me repeat that. I’ve just returned from a promotional book tour in England. I know, I know. You heard me the first time. But I needed to hear it again myself. You see, I can’t quite believe it happened. I’m not very good at self-promotion. I’m better at sitting alone and writing. I knew I had to ‘do’ social media to build my brand, but I questioned its efficacy. In all that noise, no one hears you, right?
It’s still hard to believe that a Facebook post led to a live presentation. Oh, and did I mention the BBC called? (I’d repeat that but I’m afraid I’d lose you, so I won’t repeat that the BBC called.) I write fiction so you’re right to check my credibility and/or mental state. That’s why I took photos to verify the account that follows …
After writing my debut novel, Dunster’s Calling, I thought the hard part of being an author was over. Ha! Marketing a novel, as it turns out, is much harder than writing it. But I got stuck in on Instagram, Twitter, Facebook, and LinkedIn. My social media strategy was 1) to establish why I was the person to write this story of an expat’s search for home, while exuding humour (well, my mum thinks I’m funny), and 2) to connect potential readers with the setting for my novel: Exmoor, a National Park in England’s southwestern peninsular. I felt as soon as potential readers saw Exmoor’s beauty, they’d want to read a book in which that glorious setting becomes a central character. My job would be done and sales would roll in. So I posted photos of thatched cottages and moorland views over the Bristol Channel. Based on follower reactions to the photos, the beauty of Exmoor struck a chord. However, the translation into book sales was less … struck chord-y.
As time passed, I grew weary of battling to promote through social media, of limited traction, of endlessly attempting to drown out the ‘you-just-can’t-do-marketing’ voices. I almost gave up, deciding social media was a time suck and no one was listening anyway.
But someone was listening. Someone I’d never met. Someone who saw my photos while setting up her new store that sells all things Exmoor. Enter Elke.
Elke is also an expat, moving from Germany to England nearly twenty years ago. Maybe my tale of life in a foreign country, of homesickness and of the pull of Exmoor spoke to her. Anyway, she asked me to write a guest blog for her website and to provide some signed copies of my book for her store in Minehead, Somerset. I did so, gratefully. I figured that was the job finished ‒ until Elke asked if I’d be interested in giving a talk at the store.
Why, yes. Yes, I am interested.
I book my flight.
I arrive in England to discover Elke has sent press releases far and wide. There’s a writeup in the paper and an invite to record an interview for West Somerset Radio, to be played on air the next day. Before I know it, I’m sitting in a sound studio, headphones on, mic check done, Bryan Leaker counting me in: three, two, one … ‘Tell us about Dunster’s Calling’. Bryan makes me laugh, despite my nerves, and offers to give away a copy of the book in a competition on the show. I sign a copy like it’s no big deal.
It’s a very big deal, to me.
I leave the studio after my first radio interview. It’s more than I ever dreamed possible and I return to the place I’m staying for celebratory tea and biscuits. The interview plays the next morning and I listen in, disbelieving it’s my own voice on the radio. There’s more disbelief to come.
The phone rings. It’s Broadcast Assistant Luke, for the Simon Parkin Breakfast Show on BBC Somerset. They’d like me to come into the studio for a live radio segment early Saturday morning. I believe Luke said he was pitching me the idea of possibly appearing on the show. I believe I said he didn’t need to pitch very hard. We record some promotional soundbites while talking. Long after Luke hangs up, I’m still staring at the phone in my hand.
It’s an early start Saturday morning to drive to Taunton in heavy rain. I’m not exactly displaying nerves of steel. More like nerves of wet noodles. Impostor syndrome goads from the passenger seat. But I needn’t have worried. I’m greeted with a cup of tea, a welcome tour of the impressive new BBC studios, and a friendly chat with another guest waiting to go on air; a veteran commemorating one hundred years since the end of WWI. Simon Parkin comes out of his studio to introduce himself before showing me to my seat.
No headphones this time, a glowing red light says we’re on air and Simon leads me expertly and kindly through my first live interview. At the end, he asks me to come back soon. Maybe he says that to everyone, being such a gracious host, but at this point I don’t care. I’ll come back soon.
Floating on air, I return to Minehead to prepare for an afternoon author event in the gallery section of The Exmoor Store. Elke has filled the space with homey furnishings and artwork, all produced locally. The kettle’s on. Guests arrive, and I’m engaged in a wonderful hour of sharing stories of travel and the meaning of home with delightful people. It’s all surreal. Because I’m enjoying it! Me! Enjoying promoting! Words I never thought you’d hear coming from my lips.
There’s security for introverts (as most writers tend to be) in posting to an audience you can’t see. Hiding behind your keyboard, it’s easy to get comfortable there, to not push yourself out into the world, to blame all the other voices for drowning you out. Connection to readers and listeners can feel tenuous in our lonely writing spaces. The last few days have reminded me being a writer is only half the equation; readers/listeners/followers complete the whole. They aren’t as scary as you may think when you first begin the process of building your brand.
I’ve asked myself many times if social media is a productive use of my time as an author. I now have the answer. Yes. It. Is.
I have more stories to share from my recent trip and will be blogging about them in the weeks ahead. Until then, I can only say how grateful I am to all out there in Social Media World and to offer this advice: If you’re an author struggling to be heard, don’t give up. You never know who’s listening. Sometimes it’s no one. And sometimes it’s just the person you need. Thanks, Elke.
Here’s the link to the BBC Somerset interview. (If link won’t play in your location, try logging into BBC Sounds and searching Simon Parkin 11/10/18.) My segment begins at about 1:53.00: https://www.bbc.co.uk/sounds/play/p06pswh8