From Wanderluster to Upcycling Homebody and Dove Whisperer

And just like that, the end of summer speeds at us like a tourist heading for the last table at an inundated cream tea shop. It’s been a weird old summer, hasn’t it: part supposedly post-pandemic, part not sure, part ‘no, we’re definitely not out of the woods yet’. I’m tilting towards the later so have stayed pretty close to home. A few restaurant visits, a few outdoor cream teas, one short trip to Suffolk, and a lot of hiking in the glorious isolation that is Exmoor (if you know where to go to avoid the visitors). My default setting of wanderlust mixed with a smidgin of hiraeth appears usurped by homebody vibes, which suggests I’m in the right place.

I’ve been home for long enough to have experienced all the seasons now and am enjoying the second go-around; the return of the blackberries along the Exmoor trails and the seep of vivid green to sage to yellow in the fern leaves. The Rowan trees are once more startling in their red jewellery, so bright you can see the berries from a significant distance.

There’s a delightful familiarity to local events, tentative though it all seems: the return of live music and village shows, all cancelled last year, some creeping back this year with all precautions in place – though the number of UK covid cases suggests ‘all precautions’ are proving somewhat inadequate. Delta was just a river mouth this time last year, it’s now the scourge of many a planning committee, from dog show to NHS budget conference. But this year I’m vaccinated, as are my husband, mother, sisters, and children. It’s a relief I couldn’t have imagined last year.

Onwards and upwards. Our move to our new home will happen in October so we’re busy searching for furniture. ‘Wait’, I hear you say. ‘Didn’t you have a container of goods shipped over?’ Why, yes we did. But we sold or donated all our larger furniture pieces before leaving the US. We thought we knew the house we were going to and the rooms weren’t big enough for most of our pieces. We all know how that plan turned out. Now we find ourselves the joyous owners of a home with larger rooms, we wish we’d kept those pieces. (Hindsight is such a pain.) So over the past weeks I’ve been masking up and scurrying through huge furniture warehouses, only to find I don’t connect with much modern furniture. Plan B finds me scrolling through buy and sell sites, looking for older, chunkier sideboards, tables, couches and dressers others have upcycled, or projects I can upcycle myself. Seriously, there are some very talented furniture restorers and decorators out there! And I, thanks to copious YouTube videos, now know how to use wood hardener and wood putty to reshape outdoor chairs full of rot. Just waiting for the topcoat seagrass-coloured paint to arrive and I’ll have four lovely excuses to sit longer outside in our garden.

Speaking of which, if you can’t find me, I’ll be weeding in our new garden. The beauty and tranquillity of that spot, the unexpected, delightful discovery of a new shrub wrestling towards sunlight through layers of ivy or clouds of geranium-gone-rogue, well, it leaves me speechless with gratitude at times. (And in need of a hot soak in Epsom salts at others.) I’m getting to know the locals, namely a pheasant who bolts from the undergrowth with a screech fit to wake the dead when you get too close. My favourite locals to date – apologies to all the human neighbours we’ve meet; you’re okay too just not as entertaining. Yet. – are the pair of mourning doves who ‘own’ the garden and have no problem making that clear. (They could be pigeons but a good definition of the differences is hard to find so I’m going with the more literary name.) Mr and Mrs Bobblenecker follow me around, perch on walls, trees and benches, bobbing their heads, preening and gossiping as I sweat over another bramble root. ‘What’s she doing?’, ‘Is she coming back?’, ‘Why would she cut that back or dig that up or fall over that?’ ‘Do you think she’s planning to stay because that’s where we usually sit in the afternoon?’ On and on they coo-cooooo, coo. I answer when I can, though they just laugh at my accent and poor dove grammar. The only phrase I really need to know in Dove is ‘Please stop dropping buddleia and thistle seeds everywhere.’ We’re set for a discussion about the removal of the birdfeeders if they don’t listen. Coo-coooo, coo that, Bobbleneckers!

And so, the world turns. New friends, old pandemic worries, upcycling projects, bulging garages full of stuff waiting for a permanent home. And me. A writer doing anything and everything but write most of the time, even though my editor is expecting a third novel by February. Another season into my epic journey and I’m just trying to be kind to myself. The stories will flow again, and I’ll be ready when they do. Covered in paint, mud and dove droppings, probably, but I’ll be ready. Hiraeth and wanderlust don’t remain dormant for long.

Aging – One Day at a Time

Tomorrow I age by a day. Just like any other day. Except tomorrow I also age by a decade, a staggering mental concept that sees all of us on the cusp of a new decade do one of two things:

  1. Tear out our hair at all the opportunities missed and the shortness of time left in which to pack an entire life of ‘Maybe I’ll do that next week/month/year’.
  2. Let a few things go, offering oneself up gracefully to the hard-won wisdom that some things probably aren’t going to happen now.

I must confess to a bit of the first option this past week or so. It is the easy option. Much easier to regret than to implement greater effort over the years. Not that I haven’t worked hard and achieved much. I left home at sixteen, financed my way around the world, married well (VERY well, my husband adds, reading over my shoulder), obtained a Bachelor’s then a Master’s degree while simultaneously raising two children, remained married for thirty-two years (though that streak may end if Hubby continues to harp on over my shoulder about how well I married) and published novels when many struggle to complete a Twitter post. All in all, I’ve done okay.

But I haven’t reached the giddy heights of some, like the Olympic gymnast, the Nobel Prize in Literature winner, the world-renowned expert in nanoplankton, the wine sommelier placing an exalted blessing on a new vineyard. The joy/curse of being born the same day as Princess Diana constantly reminds me some people influenced the world in a far shorter time than I’ve been alive and kicking. Reaching the stars may require getting up earlier, planning ahead, dressing better, putting myself out there more with the essential thick skin that requires. It all sounds so … exhausting.

The second option would seem less strenuous. A simple talking to oneself: ‘That’s never going to happen, Tracey, let it go.’ Less strenuous, yes. Easier? No. Admitting you’ve missed the boat sticks in the craw a bit.

But it’s also struck me that so many of the targets I now realise I’ve missed actually weren’t ambitions until the deadline passed. In all honesty, I feared the asymmetric bars at school (being afraid of heights didn’t help) but I see those twists and turns on television and now wonder … could I have? If I’d had access to that striking sequinned leotard instead of being forced into the awful school-sanctioned baggy gym shorts and sweaty, bottle green polo shirt ensemble, could I have ‘perfect-tenned’ it to glory? I’ve marvelled at Nobel Prize-winning books, never aspiring to write anything even close. And yet, every now and then I write a sentence that seems to me quite brilliant in its revelation of the quintessential human spirit and I wonder; only another hundred thousand of those sentences to go and I could be off to Oslo. I’m not a strong swimmer and get claustrophobic in a dive mask yet perhaps I could snorkel my way to wherever nanoplankton live and discover something that gets named after me. Surely, if wine didn’t now make me so tired I fall asleep after half a glass, I could learn to sniff loudly into a glass of something fruity and pinpoint the location and vintage? It’s not too late. Is it?

I think we all know the answer to that. So what’s still open to me as I pass into another decade on this planet? What’s NOT too late? The answer is, pretty much everything I’m doing now. Writing something funny and entertaining (IMHO), even if not earth-shattering in its brilliance. Checking off a few more bucket list destinations. Volunteering in ways that may change another person’s life – think tutoring a struggling young reader or opening a door for a refugee. Learning more about this marvellous world, even if not to a PhD level. There is ample time for all this. And I’m already doing it. Tomorrow will be no different.

So I choose to age only a day tomorrow. I determine to push forward and let go in equal measure. I decree July 1st, 2021 will be the first birthday of all the rest. Not the last birthday of all the others. I may even have a glass of wine. If I can stay awake.

Images: Pixabay

Does Humorous Travel Fiction Still Matter?

New Year’s Eve. We all held our breath for Big Ben to strike midnight over the empty streets of London, like waiting for the starter pistol in a race to a free brunch buffet. We waited for the ball to drop high above deserted Time Square, the last ping pong ball in the Powerball lottery drawing when we had all the other numbers. This was it! 2020 was outta here! Woo hoo, 2021! The year of the vaccine, the end of Trump and the beginning of round-the-world cruises for all!

*Throws glitter in the air while blowing party horn.

The bell tolled, the ball dropped (metaphysically, anyway), and yet. And yet…

2021: The sequel no one wanted to write. Or read.

COVID numbers continue to climb, in the case of the UK, despite national lockdowns. Trump saves his best for last, with an assault on the US Capital. The cruise lines cancel spring and summer. New COVID variants emerge and I don’t win the lottery, only in part, I’m sure, because I didn’t buy a ticket. Worst of all, in one last kick in the 2020 teeth, New Year’s Eve sees the passing of my life-long friend, Betty. She was my ticket to America and the inspiration for Mrs Althorp’s character in Dunster’s Calling. A ninety-two-year-long life, well lived and peacefully departed, but still. I spent the last days and hours with her, so grateful I moved back to England in time to enjoy these past several months. It was time for her to leave us. But the void that was 2020 is now permanent, and with loss comes reassessment of what matters.

I’m not the only one reassessing life, wondering what will never be again and what will rise like a phoenix out of the COVID ashes. ‘What’s next?’ is the anthem playing non-stop in my brain. What’s next? When my writing revolves around humour and travel and I’ve lost the thread on why it matters? What’s next? When I’m spending the New Year writing a eulogy instead of editing my latest novel set in Provence? The one I’ve been promising readers for a year now. What’s next when the vaccine is coming but it’s crystal clear it’s not the ‘shot in the arm’ for so many small (and large – RIP Debenhams) businesses fading away during lockdown? When the local pub and the iconic cream tea shop are gasping for air.

We’re all asking, ‘What’s next?’ of our communities, of our leaders, of our countries. But mostly of ourselves. How do we cope, change, adapt, rise anew? And do we have it in us to start 2021 as though our old lives still exist and matter? It all feels so different, even though we are the lucky ones. We’ve made it this far through the worst of times and long may that continue. But are they still relevant? These old lives. The ones we thought would last forever and that we controlled, at least for the most part. I struggle with what once seemed vital and now seems frivolous. Stories. Humorous stories. Travel stories. My work-in-progress could as well be set on an alien planet in the year 2300 as on the train to Provence. The fields of lavender and the medieval town of Les Baux-de-Provence, once so familiar in the pages of my manuscript, may as well be part of a dystopian sci-fi. That’s how out of touch it feels. That’s how much it now doesn’t seem to matter. (Not that dystopian sci-fi doesn’t matter. It just doesn’t fit my work.)

As a writer, making it all matter starts with putting my butt back in the chair after a long break. (In my defence, I did move continents when moving next door would have been a struggle.) I can’t worry about whether readers want lighter fare or heavier. Escapism or real life. All I can do is write what makes me happy and reminds me of past and future adventures. I need that. One word, one chapter, one story arc at a time. It starts with the belief others will want to visit the beautiful locations into which I plunk my characters. It starts with the belief a good laugh is still a good laugh and the search for home in foreign or domestic settings is ongoing for many of us. That universal themes are still that: universal.

Much has changed, yet much has stayed the same. We will always need humour and travel plans and fun and hope. And we have all these things, in books and in our own futures. The bells will ring, the glitter will rain down. All will be well, (even if I don’t win the lottery). Today I vow to write my funny stories of sunny places and the search for home. It still matters. If we all still believe it matters.

Onwards to Provence!

In memoriam: Betty Howett (1928-2020), Fellow of the British Horse Society. Mentor. Friend.

Wrong Time Zone. Right Book Zone.

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The last decade ended with great excitement. I thought I’d purchased my first house in England, ready to move home after thirty years in the US. This new decade began with great disappointment. The purchase fell through. Hand wringing, lamenting, and yelling ‘A pox on all your houses!’ didn’t seem to accomplish much. A change in tactics now finds me waking at 4:30 a.m. to peruse real estate websites and badger all my Exmoor friends to be on the lookout for suitable properties. Many have stopped answering my calls and it’s only … still January. Anyone would think they feared my return. Fear not, brave allies! I shall return in all hast to force copious amounts of clotted cream on you. In the meantime, I remain in the wrong time zone.

As a distraction from lamenting and house-poxing, I turn to books. Not my own as I’m too distracted. Haven’t written or rewritten or edited a word in a couple of months. Luckily, other authors are filling the void and I’ve read some awesome works, many outside my comfort zone. Out of necessity, I spend a lot of time reading within my genre. I need comparative titles for agents, a current view of the publishing landscape, a familiarity with like authors, what’s working and what’s not. Reading is certainly pleasurable but it’s also work. I used to read everything and there’s no reason to stop just because I’m now a writer in a certain genre, right? In fact, every reason to broaden my horizons. So, 2019 was the year I stepped back outside my humorous fiction cave and blinked in the light of forgotten categories.

I found some of my 2019 reads through PBS’s Now Read This (https://www.pbs.org/newshour/features/now-read-this/), and still others at my new favourite hangout, the reviewer’s copy table at Barnes and Noble: new releases at discounted prices. Some of my reads are brand new releases, others are old classics. I’ve linked to reviews rather than sellers where possible as I know you have your own purchasing preferences. I hope the links work wherever you are. I’d love to hear your recommendations from your own reading adventures. Here goes:

I’ve never been a big fan of autobiographies but Casey Gerald’s There Will Be No Miracles Here and Damian Barr’s Maggie And Me cured me of that.

Spy thrillers became a favourite genre after meeting Tom Clancy at a book signing, then marrying a US Naval Officer. But that was years ago and I’d let the spy work go. Daniel Silva’s The English Girl brough me back with a vengeance. (Though I could never write this. Here’s why.)

Nonfiction has been on the backburner for a while. It moved to the front of the stove with To End A Presidency (Lawrence Tribe and Joshua Matz), Joanna Cannon’s Breaking and Mending, John McFarland’s The Wild Places, and Jane Friedman’s The Business Of Being A Writer. All fascinating and informative.

Everyone should top up their classics reading each year. (Tracey, that means you.) My choices were I know Why the Caged Bird Sings, Maya Angelou, American Gods, Neil Gaiman, and Rebecca (Daphne du Maurier). How could I never have read Rebecca before now! It’s awesome! But most of you knew that already, I suppose.

The flip side of the classics is to take a chance on a debut author. Beneath the Flames by Gregory Lee Renz is a great place to start. I met Greg at the UW-Madison Writers’ Institute and, boy, can this former firefighter tell a story.

War and violence are topics I steer clear of if I can. There’s just too much going on in the world for me to find the awful things we do to each other entertaining. But A Woman Among Warlords, Malalia Joya, and The Beekeeper of Aleppo, Christy Lefteri, are eye-openers. I’ve started 2020 with Olga Grjasnowa’s City Of Jasmine, about the refugee crisis brought about by the war in Syria. Foreign translations haven’t been on my radar for a while, yet City Of Jasmine, translated from German, reminds me to look outside my native language. It’s a fantastic book. Never will images of boats full of soaked people leave my consciousness. I volunteer with refugee populations, but I need these non-fiction and fictional accounts of prior lives and journeys to help fill my knowledge gaps.

I didn’t abandon the lighter-hearted, fun read. Far from it. I read many. A favourite was Rules For Visiting by Jessica Francis Kane. Maybe it was the timing of my own hopes to reconnect with old friends in England (those still taking my calls) that deepened the meaning of this tale. Or maybe it was the protagonist’s job, her world filled with plants and flowers. Either way, I enjoyed it.

I read my first Stephen King, Duma Key. The author has the potential to do quite well. You heard it here first.

Some 2019 reads I didn’t fully appreciate and one in particular was downright awful (mentioning no names), but each one sharpened my senses for what kind of writer I hope to be. Stephen King (an up-and-coming author I’ve mentioned before) says, ‘If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.’ I believe him. Here’s to taking my open genre mind into 2020 – and into my own writing.

One more thing: I’ve decided not to participate in the Goodreads 2020 Book Challenge, where readers are encouraged to set a goal for number of books they’ll read in a given year. I’m too numbers-oriented for this. I find myself focusing on book count, finishing books I’d rather put side, choosing a shorter book over longer just to chase an arbitrary target. Which I missed. Two years in a row. Dropping that stressor (I need to save all that dopamine and epinephrine for house-buying) means I’ll read exactly what I want, when I want.

I’ll still write reviews of everything I read, of course, as reviews are the lifeblood of any author. If you’ve enjoyed my novels, please consider leaving a review on Amazon, Goodreads, Smashwords, or Barnes and Noble. Then go and read something outside your comfort zone – and review it. Your new favourite authors will thank you. Hey, even Stephen King needs validation every now and then. Wonder if he’s tried to buy a house lately?

Happy reading and/or house-hunting to you all.

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Excuse Not to Write #46: Transatlantic Distractions and Dance Parties

I admit it. I’m distracted. Which doesn’t bode well for a writer. A recent trip to England, a house search while over there, a million things to contemplate about relocation across the pond, and, well, it’s all spinning in my head and any kind of writing gets side-tracked.

Today, I determined to plonk myself down in the chair and at least write my monthly blog. After all, so many of you wait with bated breath for my confused confessions of an author who feels she’s living in the wrong country. (Note to self: do something more interesting that requires confession. It may increase sales. But I digress …)

With my blogging brain in full rebellion, I vow to write about the first story I see on the internet this morning. With everything in the news right now, I admit it’s a risky strategy. I don’t know enough about Syria, Brexit, the 25th Amendment or the college admissions scandal to educate or entertain you with my analysis. But today I luck out. The first story I see is that Mike Posner has completed his coast-to-coast walk across America. The image is of him rejoicing as he reaches the Pacific Ocean.

For those of you who don’t know Mike Posner, he’s a singer-songwriter famous for his ‘Cooler Than Me’ and ‘I Took a Pill in Ibiza’ chart-topping hits. Oh, wait! I may have something to confess. I absolutely must dance to these songs. I defy anyone not to. They pound in your head and whoosh through your system, your shoulders, hips and feet soon in full party mode. I’m always close to getting a speeding ticket if they come on the car radio. I jack up the volume to an unseemly level for a woman of my … maturity. The arresting officer would say, ‘Aren’t you a bit old for this kind of music and do your children know you listen to songs with four-letter words in them?’ In my defence, the lyrics are rather poignant if you listen to the acoustic versions without the techno-pop-rock beat. And there’s only one swear word in ‘I Took a Pill in Ibiza’. That I bleep out when I sing along. (I’m playing ‘Cooler Than Me’ as I write this. Thank goodness for a standing desk as I rock my moves. No, there’s no video of me dancing. There will never be video of me dancing. You’re welcome.)

But how does Mr Posner’s six-month walk across America relate to me? Well, in all the coverage of his journey, he states he is not the same person as when he left the East Coast of the United States several months ago. A snake bite requiring hospitalization may have something to do with this. But I put to you that no one is the same after travel. Plane, train, automobile and sneaker travel changes you. The people you meet change you. The scenery, the food, the effort, the politics, and yes, even the music, changes you. On Posner’s website, he states one of his goals is ‘Enjoy where I am in the journey. Don’t waste time obsessing about getting to the end.’ His mantra throughout the journey was ‘Keep Going’. And that’s what struck me. Keep Going. As I gear up for the fights ahead with transatlantic property financing, shipping containers, what to leave/sell/donate/destroy, and how to say goodbye to America, I’ll keep Mr Posner’s words close: Keep Going. I’ll get to England eventually. I just needed this reminder to appreciate every step of the journey.

Soon enough, I’ll get back to writing and editing the two novels I’m working on, too. Wish me luck.

Next month, Pauline Wiles, author of the Saffron Sweeting anglophile novels, will be guest blogging about her own transatlantic journey from England to the sunshine of California. Join us!

(Image: Mark Morgan, Flickr)

So, A Veggie Platter Walks into A Courthouse …

I assisted at a US citizenship oath ceremony last week, held at the District Courthouse in Madison, Wisconsin. By ‘assist’ I mean I crinkle cut vast quantities of veggies and lugged a cooler through courthouse security. No mean feat, actually, as the handle of the cooler wouldn’t fit through the scanner. Therefore, umpteen gallon-size baggies full of carrots, celery, peppers, kale, cucumbers, tomatoes and cauliflower florets had to be hand-screened by three guards wearing earpieces. Can just imagine the conversation with the control room:

‘Sir, she says she cut all these herself using the neighbour’s Pampered Chef crinkle cutter.’

‘No one’s crazy enough to cut that many vegetables by hand.’

‘She’s wearing a wrist brace.’

‘I see. Let her in but keep an eye on her.’

I, of course, had wanted to go all out roast beef, Yorkshire pudding, gravy, trifle, treacle tart and custard. Greater minds prevailed and it was suggested I just go for the veggie platter. Good job, too. Can you imagine the trifle after the hand-screening?

Anyway, security cleared, I waited for the other volunteers to arrive. Soon, stuffed grape leaves, hummus, cheese platters, sheet cake, and baklava were trundling out the back of the security scanner on the conveyer belt. This isn’t what typically comes through the court’s doors. But this ceremony was unique. Open Doors For Refugees – the organization I volunteer with – arranged a special ceremony to be held in Madison. Court officials had to travel from Milwaukee to Madison. The least we could do was feed them.

To be honest, the food was mainly for the oath takers and their families (though we fed everyone – including the security guards). Naturalized citizens – like me – and immigrant organization leaders, including former refugees, provided a welcome lunch for the new citizens once they were sworn in. This is the third year Open Doors For Refugees has held this ceremony in Madison. Apparently, the judges are fighting over who gets to administer the oath. It’s a bright light in what can be a dark world in the district courts. Every other case posted on the courtroom door sounded, let’s say, less upbeat.

Finding myself back in court only a few months after my own Milwaukee induction into US citizenry, it seemed strange to watch it from the other side. Oath takers arrived, nervous, dressed-up, clutching paperwork. Family members followed, excited and proud. For so many it had been a long and arduous journey. If you haven’t been through it, it’s a bit like being the bride: months of prep, of stress, of dress fittings and venue food testing and sweating the cocktail napkin colour choices. When the day arrives, you’re too tired to care if the tiny ring-bearer hurled the cushion into the koi pond or the groom forgot his vows.

Only it’s more than that. It’s many more years of preparation. It’s an even bigger – in many senses -commitment than marriage. It’s loss, or at least change, of one’s long-held concept of home. One of the guest speakers, herself a naturalized citizen, spoke of the changes in terms of grief and the notion that things will never be the same. She spoke of the underlying battle to process who you really are now and how others will view you. What to hang on to and what to leave behind. I found it moving in a way I hadn’t expected. It was my first time holding my hand over my heart and pledging allegiance to the US flag. It centred attention on divided loyalty and homesickness and pride and yes, grief; of being separated from one world while stepping through a door into another. I did it by choice when I married an American and it was still difficult for me. I can’t even imagine how it felt for those who had fled their beloved homes and would choose to still be in those homes if not for war, violence, fear, or persecution.

Some oath-takers brushed away tears through the whole ceremony. What did those tears represent? Regret, homesickness, gratitude, honour, a sense of loss, or a sense of gain? Another gentleman held his right hand so high while taking the oath, I worried he’d lose all feeling in his fingers. It’s a long oath. But his great pride was front and centre. Some spoke fluent English, some struggled to keep up as they read the oath. Some smiled at family, some appeared alone. Some waved American flags, some stared at their flags with looks of confusion. What does it mean to wave this flag now after a lifetime of waving other colours?

It’s a process, this citizenship thing. And I don’t mean just a complex, confusing paperwork process. It’s a process of moving on, of hoping to be accepted while questioning what you’re being accepted into as immigrants at this particular time in American history.

The judge shook my hand and thanked me for all I do for our local immigrant populations. I do so little, wrist brace notwithstanding. I just tutor families in the English language and help with childcare while mothers take classes. Many do so much more. I was embarrassed by the judge’s kind words. But he reminds me these little things send ripples across oceans and influence generations.

It felt good. To belong. To welcome. To feel part of something so much bigger than myself. As this country struggles to redefine itself as part of a global community, I know, wherever I live, I’ll continue to reach out to those from somewhere else.

Welcome, new citizens. Hope you enjoyed the veggies – and that you get the chance to welcome others yourselves soon. Thank you, Open Doors For Refugees, for this opportunity to serve.

This event was part of Welcoming Week 2019, one of 2,000 events held across the US designed to bring together immigrants, refugees and native-born residents in a welcome for all.

For more information on Open Doors For Refugees, go to  http://www.opendoorsforrefugees.org/

What to Insanely Expect When You Write A Book

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Oh, the joys of parenthood, the wonder of bonding with a tiny soul, the bliss of cradling a new-born in your arms! As a mother of two, I wouldn’t have missed the experience for anything. I just thought two children were enough for me. I never dreamed I’d be doing it again at my age! After all, book birth hurts like the dickens.

Yes, I’m in the book delivery room, all bloated and cranky and just an all-around pain to be with. Because, just like with my firstborns, I’m nervous that I’ll fail. That my best won’t be good enough and somewhere along the line, someone will steal my baby and raise it better than I could. But why should I worry? I’ve paid my dues in blood, sweat and tears. I’ve survived the author gestation period – which is longer than an elephant’s, sometimes years, by the way. For those asking why I’m so irritable and how it can possibly take so long to birth a book, well, there’s more to it than you think.

As soon as the idea for your novel baby takes seed, you grab your copy of What to Insanely Expect When You Write A Book. You devour its pages and quickly conclude you don’t know enough yet. You sign up for writing and publishing Lamaze classes, held in a hotel ballroom at a writers’ conference. The instructors run you though your paces: Birth canal blocked? Do this. Labour too long? Try this. Word bloat mean your dressing gown’s the only thing that fits? Read this. Contractions – or hyphens or semi-colons – keeping you awake? Fix this. And listen up, writers! Never numb publication pain with a paid review-boutique publisher-no editor-no proofreader C-Section. That’ll cost you in the end. Breathe! I said, BREATHE!

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Staggering under the weight of your over-flowing writer’s toolbox, you knuckle down to growing your book. Morning sickness, swollen ankles, indigestion, acne – it’s all there. Usually from a poor diet, too much sitting, and no direct sunlight, but it’s all there. The seasons change outside your window and still you grow and grow until the wordcount interferes with lung function and your hard drive crashes due to the 52-terabyte monster it’s trying to incubate.

You shed chapters and characters and secondary story threads – and adverbs – like clothing during hot flashes. Just when you think this 900th rewrite will never end, you reach a wordcount the right size for a 1.5-centimetre book spine rather than the width of one of Stonehenge’s supporting monoliths. Now it’s time to purchase the baby clothes.

So many designers to choose from! Their outfits are gorgeous, and you want them all for your book cover. You test a thousand colours, images, and taglines. You pick the perfect font, only to find it can’t be used without coughing up an extra hundred bucks for commercial use. You pick again and send final cover blurb to designer, only to find it’s not the final blurb because you can’t use the term GPS, according to the lawyers. You haven’t budgeted for a lawsuit. Change to ‘naBigational satellite system’. Correct spelling to ‘navigational’. Now the cover’s final. Or would be if you could decide whether to use the author photo taken during the heady days of virgin authorhood or the one taken today in the delivery room. Greasy hair, panicked expression, coke-bottle glasses, required after writing a novel on your phone hanging over the side of the bed to shield the light from hubby because the only good ideas come at 2 a.m. when your journal is down two flights of stairs on the washing machine in the basement. Decide on the first-choice photo. Now the cover’s final. Unfortunately, the cover designer isn’t speaking to you anymore.

You look around your office, now free of the million scrapes of paper on which you’d written disjointed ideas. You’re almost there. The first inklings of satisfaction twinkle in your reddened eyes – just into time for the steamroller that is procrastination to squirt any joy out of your ears onto the “Upload your manuscript” publishing website. You vaguely remember you told everyone your publication date was in three months, but now it’s … NOT IN THREE MONTHS! Can you change your mind – walk away to find a less stressful way to procreate? Perhaps hand-feeding pregnant crocodiles?

It’s too late! Labour’s started – meaning your mum called to say the neighbours want to know why they can’t find your book online yet and does this mean your mum was making up the whole story about you being an author? Mum’s not happy. The pain! Oh, the pain! Waves of doubt, regret, foul language directed at your editor, publisher, beta readers, anyone within earshot of your desk. You can’t take it any longer. You beg for the anaesthesiologist. Epidural! Stat!! Doc arrives with chocolate and vodka. You swig straight from the bottle you cleverly disguised by wrapping it in last week’s ‘Publishers Weekly’. Somehow the meds get your through the uploads. Just when you think you’re about to meet your new baby, the website rejects your book cover because you uploaded the wrong format and the margins are all messed up and the retail price you entered doesn’t match the price you need to cover costs by, oh, about … Well, best not think about it. Regardless, the paperback proof copy is on its way. No stopping this train now.

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Finally, finally, you lift from the cardboard box delivery crib this creation, this marvel of courage over doubt. Weighing in at 1.2 lbs, 9 inches long, cream interior, full bleed cover, parentage stamped in MV Boli font on the front cover, it’s everything you hoped it would be. If you squint, you can even recognise a semblance of yourself in its reflection. You gaze, count the wiggling interior pages, brush fingertips across the baby bottom-soft cover, whisper its name, More Or Less Annie, over and over in baptismal welcome.

‘A solid two stars!’ yells your book baby’s Grandma, who so hoped to be delivered herself of a Charlotte Bronte decades ago. She smiles bravely at the Tracey she was handed by a white-coated publisher. The publisher who then took a pass on buying Grandma’s Super 8 home movie rights.

Even after all this, deep down you know you did something amazing. Something organic, a part of you delivered to the world, slapped on the spine and swaddled in words that fought to survive through hesitation and jealousy and regret and epiphanies. Through ‘What do you do – I mean for a living?’ and ‘Yes, but what’s your book about?’ and … all that crap. Your book lives. You wave it off into its life outside you, realising it breathes life into you as much as you breathe life into it. Forever inseparable. So proud. So fearful.

You outstay your welcome at book clubs and writers groups and grocery store checkout lines showing anyone with a pulse photos of your baby’s sales rankings. You think you’re done with the delivery room. But what’s this? Stirrings, rumblings, clocks ticking? Another? You want another?! Within a week of release, you start all over again. Chapter One …

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I dedicate this blog, with gratitude and incredulous admiration, to all book parents. We did it! May those who survived multiple births over long careers to remain in the readers’ hearts forever – I’m looking at you Anita Shreve, Nora Ephron, Tom Clancy – smile down on us and the new-borns nestled in our loving arms.

More Or Less Annie born May 18th, 2019. Baby’s fine. Mother’s a mess.

Write An Expat Spy Thriller? Not Likely.

spy

I’m Just Not Spy Material

There are two schools of thought in writing: write what you know or write what you can imagine. Doesn’t leave much off the table, does it? I, however, know my limitations. Writing a spy thriller is out of the question. I just couldn’t compensate on the written page for my natural deficiencies. I recently read Daniel Silva’s The English Girl. Boy! I thought my characters traveled a lot, but this international spy thriller left my head spinning. All that global rushing about, all that memorization of files and faces and contact info, all that being hunted down with no nice embassy official coming to help if things got messy. Seriously? Does anyone have this kind of energy? This kind of memory? This strong a nerve? As Olivia Colman would say, it’s all quite stressful. I began thinking about all the ways I’d let Daniel Silva down if I were one of his characters. The list is long and ugly.

To start with, I can’t remember a single name of anyone I’ve ever met. This is not a new thing. And facial recognition could be an issue. I once asked my own son, “Can I help you, Sir?” He’d arrived home with a beard after a semester abroad.

The ability to manage multiple passports, visas and identities is far beyond my skill set. I never have the right paperwork ready at the airport. Is it just the passport they want? The passport and green card? The passport and boarding pass? The form I filled in on the plane? Seriously, what the hell do they want now?

Nerves of steel under interrogation? Nuh-uh. Arriving at any international airport, I panic when asked my name. My only name. My real name. The name that’s never been in trouble anywhere in the world. My profession? What? Reason for visit? Er? You’d think, as I sweat through the 30-second encounter with an immigration officer, I had a kidnapped member of the royal family in my luggage. I would fail a polygraph test if they asked whether I wanted a glass of water.

My navigational “difficulties” have led to more marital discord than anything else. I’ve never known north from south, east from west. I barely know right from left under pressure, as hubby will tell you after many an almost collision. If you’re giving me directions using complex terminology like “Head south-east on Rue de l’Espionage then turn west on Avenue Ouest,” well, let me tell you, me being there before you kill the hostage? Just. Not. Happening.

That whole chasing the bad guys across time zones thing? I have an unnatural need for ten hours of sleep a night – which I never get, by the way. Most of the time I’m not functioning well enough to let the dog out. But mess with my circadian rhythms and all hell breaks loose. If you need me in Istanbul on Wednesday, you’d better mean the second Wednesday of next month. I’ll need at least a week to get over the jet lag before I’m good for anything.

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Finally, there’s the whole creature comfort thing. Crouched in a ditch in the cold for two days, drinking water out of my socks, wearing leafy camouflage (which would itch, by the way) waiting for a target to come outside so I can hit him between the eyes at 1000 yards? I’d have set solid, my back out and my feet asleep since … a day and a half ago. The hunger growls would be so loud those listening in via satellite would have to turn the volume down.

I met Tom Clancy once, the ultimate spy thriller novelist, at a book signing. He made small talk with me about beer. I don’t drink beer. But should I reveal that? Was this a test? Should I lie or remain stony-faced silent until he broke eye contact, looking elsewhere for a softer target? I felt quite uneasy about it all. What a relief when he finished signing my book and I could leave via the back door. (A real spy wouldn’t have screamed when the alarm sounded.) Mr Clancy probably knew about my beer aversion anyway. From my file at Langley.

I shouldn’t have read that spy thriller. Shouldn’t ever write one, either. My nerves are all ajangle, just in time for my US citizenship interview tomorrow. I fear it’s not going to end well. It’s been nice knowing you

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Not Your Grandparents’ Tea Room

To know me is to know I’m somewhat of a cream tea aficionado ‒ and I don’t mean just the ‘life-as-an-expat-makes-me-crave-all-things-English’ kind. No, I’ve loved scones and jam and clotted cream since I was old enough to lick the inside of a jam pot. (Which, incidentally, is frowned upon now I’m older.) Anyway, in anticipation of my move back to England, I contacted one of the most iconic tea rooms in the United Kingdom to see a) if they’d let me in, given my penchant for licking the inside of jam pots, and b) if they’d show me the inner workings of my idea of Nirvana: a tea room. Surprisingly, they said yes. Enter Paul Gibbs and David Pollard.

A chilly autumn mist lingers over much of Porlock Vale as I negotiate the winding lane to Selworthy. I feel I’m driving through a portal, framed by arcing gold, russet and amber boughs. This much beauty is distracting, and I haven’t even reached the iconic Selworthy Green yet. Changing gear is trickier than I remember and I almost stall going around the 90-degree bend by the 15th century whitewashed church. Thirty years in America leave my left hand unused to such driving tasks. I pull into the car park and grab my journal, leaving my laptop under the front seat. I’d initially thought I’d carry it in for my interview with Paul and David, the dynamic duo behind Periwinkle Tea Rooms and Clematis Cottage Gift Shop and Gallery. But as I stand gazing across thatched rooves, the silent cemetery and striking views of the moors, high tech seems somewhat out of place. Maybe I should have brought a quill and parchment paper. And worn a bonnet. Too late now. Where does one buy a bonnet these days, anyway?

I open the gate to Selworthy Green and cross the threshold into a different world: birdsong, the brittle crackle of leaves chattering back to the wind, a stream gurgling towards the sea after a stint on the moors high above the village. A step back in time. Many a dream of moving to Exmoor begins at this gate.

Clematis Cottage greets me on the right. A lichen-covered bench sits in welcome under the diamond-paned cottage window. A riot of pink resurrection lilies keeps the bench company. Pyracantha and ivy cascade over the stone walls and steps. An ilex tree of some variety draws the eye through the bountiful berries to the fields and moors beyond. I feel no need to take another step. Surely this bench is as good a place to spend eternity as anywhere? But I take one more step because my nagging subconscious reminds me I have an appointment.

I pause again on Selworthy Green. I have no choice, appointment or not. Surrounded by burnt-amber cottages topped with mossy thatched hats, its grassy welcome is set in a frame of confectionary-coloured flowers, even in November. Picture postcard perfection. I inhale the welcoming scent of a wood fire, tendrils of smoke curling from a chimney into the air. A door opens. A cheery hello, followed by ‘Want a cup of tea?’ Why, yes. Yes, I do.

Paul Gibbs waves me into Periwinkle Tea Rooms. Paul and David are entering their second year as National Trust tenant operators here, though there’s been a tea room in this location for decades. Ducking under the thatched porch, I’m reminded of a hundred other entries into this hallowed place. As a teenager, sullen (until the cakes arrive), as a newly-wed, proudly presenting Exmoor to my American husband, as a mother introducing my US-born children to an important part of their cultural heritage – clotted cream, flapjacks and ploughman’s lunches. And now, as a homesick expat and empty nester, looking for all the comforts of home I just can’t replicate in America. The tea room had been closed for several years. Seeing it open again elicits more complicated emotions than I’d imagined. I thought I’d lost this part of my history.

With a grateful sigh, I take in another of my favourite Exmoor views: A sideboard groaning with cakes, a glowing fireplace, tea pots lined up like soldiers ready for the lunch fray. Wonky beams and low ceilings; all of it familiar. Yet, there’s something new here, an energy that belies the quintessential ticking-clock-sleepy-cat-on-windowsill expectations of an English tea room. This is no museum to the lace table cloth, encased in magnolia white walls, the hush broken only by the faint clatter of a stainless-steel teapot lid.

There’s new colour here. Plenty of it. In the seafoam walls, in the local artwork, in the cushions scattered around the bench seating. In the light reflecting from glistening ceramic tea pots and the quirky snail-shaped menu holders.

There’s music too, coming from sophisticated elec-trickery (remember the Cat Weasel TV programme?) flashing under the cakes. It’s my first clue this is a thoroughly modern operation wrapped in quaint trimmings. As Paul directs my tour – I’ve never been upstairs before ‒ I realise this is not your grandparents’ tea room. There’s a computer screen above the impressive commercial ovens in the bakery. Paul shows me detailed statistical analysis: every scone sold in 2018 (13,628), every cream clotted (33 kilos) every carrot grated (26 kilos), walnut halved (20 kilos), egg cracked (3,727), Victoria sponged ‒ sorry, your majesty, but that’s 7,453 total slices of all cake varieties for a total of 828 cakes. And finally, every dollop of jam (410 kilos). That’s a lot of jars to lick!

Where am I? This is not what I expected. I’m somewhere between below stairs at Downton Abbey and the bridge of the USS Enterprise. (Darn it. Should have brought my old laptop in with me, just to compete.) Pulling up more screens, Paul shows me social media has replaced the lunch gong here. The business twitter account has a staggering reach of up to a million a week. There’s Instagram, Facebook, a polished website and a blog, all responsible for an impressive increase in guests taking detours to visit. The only nod to custom in the kitchen is a binder full of recipes, including all the traditional favourite cakes, biscuits and scones, along with new inspirations, like smoked salmon, leak and potato soup. Paul tells me the recipes are followed precisely, every time. Nothing is left to memory or chance. A guest can return time after time for that favourite coffee cake and never leave saying it was better last time. This is all part, Paul says, of knowing your business, knowing your market, and never compromising on standards. This may explain why they won ‘Tourism Business of The Year 2018’ at the Best New Business Awards.

It all seems so … not thatched. I’m sensing SEO manipulation and business projections Amazon would be proud to call its own. Turns out, I shouldn’t be surprised. Paul and David also run Mill Close Solutions, a management consulting business specialising in leisure, tourism and hospitality start-ups. With their Selworthy businesses open seven days a week, eleven months of the year, when do they have the time, you may ask? I almost feel guilty interrupting their day for a cup of tea. Almost.

I’m honoured to be offered a seat in Writers Corner, designated for local writers who meet to share all things ‘Author’. (Authors eat cake too, I’ve heard.) I start by testing the tea. Periwinkle Tea Rooms uses Miles tea, a local supplier who blends tea and coffee specifically to compliment the peaty Exmoor water. I don’t know what that involves, but it tastes sublime. Of course, that could be as much a part of context as flavour. Hard to imagine not enjoying anything in this glorious setting.

Paul Gibbs and David Pollard in Writers Corner

Taking a break from his duties at Clematis Cottage ‒ the gallery side of the business featuring Exmoor artists ‒ David joins us for a chat about finding home. His journey to Selworthy started on a fruit farm in Kent before spending eighteen years on Sark, in the Channel Islands. He says he doesn’t miss Sark, mainly because it could take weeks to get off the island in bad weather. Paul, born in Devon and raised in Dorset, has a strong family tie to Selworthy. His great-great-grandparents worked on the Holnicote Estate, one as a woodsman, the other as domestic help. They even lived in one of the Selworthy ‘grace and favour’ cottages. They rest here still, with their youngest daughter, in the churchyard a few yards from where we sit. Paul recalls conversations with his great-grandmother about life in the village. Treasured memories.

Bringing his ancestry full circle to now live himself in Selworthy is profoundly meaningful for Paul. ‘Selworthy is such a special place for so many people,’ he says. But for him it’s more than that. It’s the beating heart of his family history. I wonder out loud if someone had to compromise to live here, the historical connection deeper for one half of the partnership than the other. After all, I have the same concerns about asking my husband to move to Exmoor just because it’s home for me. But neither Paul nor David struggle with the decision. They both cherish the opportunity to make Periwinkle Tea Rooms and Clematis Cottage ‘must see’ destinations. They’ve succeeded already. Trust me on that.

Their love and excitement at being here has led to phenomenal success, outperforming all expectations in their first years. They’re certainly willing to go out on a limb for their guests, even throwing an impromptu wedding reception for a bride whose ancestors lived in Periwinkle Cottage. They organized a meet and greet for me with other local authors too ‒ well above and beyond the call of scone duty.

I wonder what Paul’s great-great-grandparents would think of a world-renowned, technologically-advanced enterprise in Selworthy. It was, after all, just low income housing in an isolated village ‘back in the day’. Who knows? But certainly, this is not your grandparents’ tea shop ‒ unless you had state-of-the-art grandparents. That said, Periwinkle Tea Rooms still uses your grandparents’ recipes. Those delights, combined with time-honoured tradition, stunning scenery, the welcoming warmth of a fire cracking in the grate, and good old-fashioned hospitality will bring me back to Selworthy over and over again. No matter how long I’ve been away, this place is part of my family tradition. It will continue to be so thanks to Paul and David.

For more information, check out: https://periwinkletearooms.co.uk/clematis-cottage-gift-shop-gallery/

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Hugged Your House Today?

Hugged Your House Today?

In Wisconsin, the last two days witnessed savage war: Man against the Elements. With air temperatures of negative 26F and wind chills in the negative 50F range, surviving the coldest polar vortex in a generation was all I could hope for. I was home alone; my husband delaying his return from a business trip as travel in these conditions was too dangerous. It was me against the world. But I had an ally. My house.

Home had to become more than a peaceful, cosy sanctuary. It had to morph into an escape pod, a foxhole, a superhero friend in the worst of times. As the winds picked up, the snow churned and the world turned to black of night, my survival depended on my house. Would it stand up to temperatures it was never tested to withstand? Would the windows fail, the pipes burst, the roof cave in? This all crossed my mind during the vortex days and the long, long vortex nights.

I helped as much as I could: opened all the bathroom cabinet doors to let heat in around the pipes, covered curtain-less windows, turned lights on in the garage because if I’d tried to do it once the temperatures plummeted, the bulbs could explode.

But I could do little. My house took the brunt of it. It suffered for me. I listened to it scream. Cryoseisms ‒ known as frost quakes ‒ occurred all through the day and night. The boom and pop shook the house as the foundations fought against the freezing ground. The siding contracted in bursts like exploding vinyl popcorn, the windows bowed against the wind. Those windows! I hurt for those windows. As the snow piled up on them and the glass oozed ice, both inside and out, they wept real tears during their herculean efforts to protect me. I soothed them as best I could, wiping their eyes with soft towels and whispering to them to hold on, stay with me now. Just a little longer. But I had to leave them to check on the commander of the battle: the furnace. Would it hold out? Would the fuel line rupture as the ground froze deeper than ever before? If the furnace lost the battle, the war was over. I turned the light on for it so it wouldn’t fight valiantly alone in the dark. It needed to know its efforts were appreciated. That someone cared about its survival. I cared. My dog, Watson, cared. My photo albums, my computers, my artwork, my books, my indoor rosemary plant – we all cared. Fight on, brave furnace! Wisconsin Forever!

It held! My house held! The bricks and the glass and the wood and the concrete and the wiring and the gas line and the furnace held! I could cry with gratitude! I hug the walls and kiss the patio doors, aware some houses didn’t hold. Rooves caved in from the snow, fires erupted from broken power lines, houses drowned in waterpipe breaks. Those houses tried, too. But these were times for extraordinary houses. Mine was one of them.

How do I thank it? For holding off the onslaught, for protecting me against a frigid Armageddon? New coat of paint? Not nearly enough. So I hereby award my house a title. An honourable title.

Arise, High Commander of Highland Drive. Long live the King!

 Note: I’m fully aware there were others in this battle with me: power company workers, water main fixers, snow plough drivers, emergency personnel, construction workers, fuel delivery drivers, architects, to name a few. I thank them all from the bottom of my heart. And my biggest thanks of all goes to those working to keep the homeless safe. You are true heroes.

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